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Specification
- Product Code :JW7227
- Material :Metal
- Size :2"H x 1.50"W
- Weight :15 gm.
Description
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Specification
- Product Code :JW7210
- Material :Metal
- Size :1.50"L
- Weight :16 gm. Aprox.
Description
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Favored by hundreds of ladies, the spectacular stone bangles are nicely crafted with a deep sense of beauty and joy. Metal and multicolor stones are used in a most splendid manner creating an aura of elegance. Every woman will love to have these bangles as gift since they embodies their love for jewelries and other ornaments.

Specification
- Product Code : 2427
- Material : Brass
- Size : 18"H x 7.50"W x 5.50"Diam
- Weight : 5.700 kg.
Description
The beautiful brass figure of Dhanvantari, the father of Ayurveda, is given a refine and minute treatment with some nice carvings on it. The tall and standing figure of the Lord reveals a deep sense of accomplishment and gracefulness. Dhanvantari first appeared during the great churning of the cosmic milk ocean to deliver amrta (nectar) for the nourishment of the demigods. Lord Dhanvantari was "dressed in yellow garments and wore brightly polished earrings made of pearl. The tips of His hair were anointed with oil and His chest was very broad. His body had all good features, and He was stout and strong as a lion. In His hand, He carried a jug of nectar." The demons stole the jug of nectar and Lord Vishnu appeared as Mohini, a beautiful woman, who fascinated the demons and recovered the nectar from them. Dhanvantari’s second Appearance ccurred at the beginning of the reign of the current Manu in the second Dvapara-yuga . Lord Vishnu foretold at the time of the churning that Dhanvantari would appear again in the human society and be worshipped by human beings. He would also teach them the science of Ayurveda. Dhanvantari at that time was residing in the heavens and Lord Indra seeing the misery of human beings afflicted by disease on earth, requested the Lord to teach Ayurveda to the human race.
The beautiful Batik painting depicts as many as six elephants marching forward braving inclement weather. A paradigm of bravery and strength, the painting depicts a deep sense of gravity and beauty. The elephants are nicely painted and spectacular colour pattern makes the painting even more beautiful. The method of waxing and dewaxing creates a special effect in the painting. Batik is a very old method of painting and Batik prints of West Bengal, Orissa and Tamil Nadu are known for their originality, uniqueness and fineness. Batik is the art of creating images on the cotton cloth using wax resist method.
Description
‘Stories and food remain the same, only faces change, and those too only vaguely. The same faces keep coming back every few generations to eat the same food and live out the same stories.’
Ayesha realizes that her relationship with food has made her obese and this realization takes her on a journey of self-discovery where she learns to fall in love with food not through gluttony, but by understanding its sensuous journey and evolution. In her life, feast runs parallel to the tales of people, and sometimes becomes the cerebral voice relating its journey over time and regions, telling stories of the people to whom it provides nourishment and nurturing.
Travelling in time, Ayesha and Feast present scenarios of hospitality, generosity and warmth of the people of the subcontinent; through seasons, traditions and celebrations. Soon Ayesha comes to appreciate how food brings with it interesting stories, tying various emotions together—celebratory, jubilant, sorrowful and the ordinary. The history of regional cuisine, the multitude of tastes and flavours, and the passions they evoke, have a deep impact on Ayesha. She eventually comes to understand that her primary relationship is with food, and until that is not healthy, nothing else will be.
Away from Ayesha’s voice, Tirmizi’s account is often omniscient, telling tales of a different time, stepping into another past, and then jumping to the present, voicing the evolution of food and its impact on Ayesha, and the relationships she has with others.
Additionally, mouth-watering recipes of traditional dishes from the subcontinent make for a delightful read. In Tirmizi’s deft hands, Feast is as a feast should be: endearing and unputdownable.
AUTHOR OF THE BOOK
Bisma Tirmizi has been a storyteller for twenty-seven years, first as an employee at The Herald Group of Publications for over six years in the capacity of a sub-editor, and then as a freelance journalist. She has penned over five hundred articles and has been published in Dawn, The News, The Express Tribune and Buzzfeed, among many others. Her musings over a cup of tea almost always find their way to be the written word, either in the form of an article, story, commentary and now a book.
Tirmizi has been writing ‘Food Stories’ for dawn.com for over four years, and has been enjoying food forever. This is her debut novel, sketching an elemental love story between us and our unique, nurturing and, at times, obsessive relationship with food, and the social relationships surrounding it.She lives in Las Vegas, United States.
Specification
- Product Code : BK8692
- Publisher : Rupa Publications India
- Edition : October 20, 2017
- Pages : 224
- Weight : 160 gm.
- Size : 5.9 x 0.9 x 8.3 inches
- Binding : Paperback
- Author : Bisma Tirmizi
- Language : English
- ISBN-10: 812914901X
ISBN-13: 978-8129149015



Specification
- Product Code :B6420
- Material :Polyresin
- Size :5.25"H x 3"W x 1.80"D
- Weight :150 gm.
Description
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Specification
- Product Code :B6421
- Material :Bell Metal
- Size :21"L
- Weight :270 gm.
Description


Specification
- Product Code :B6499
- Material :Resin
- Size :2.50"H x 6.50"W x 1.85"D
- Weight :270 gm.
Description
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