Indian Music Books
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The Bengali version of the book Bharatiya Sangeetkosh earned for him ""Sangeet Natak Academy"" award as the best book on music published during the period from 1960 to 1968. Bimalakanta Roychaudhuri was born in 1909 in all illustrious family of musical heritage. He had his training in music from Sitalchandra Mukhopadhyay, Sitalkrishna Ghosh, Amir Khan (Sarod) and then from Inayet Khan, the foremost Sitar players of those days. He also had his musical training from his maternal uncle Birendrakishore Roychaudhuri and maternal grandfather Brojendrakishore Roychaudhuri. He took part in the translation of ""Sangeet Ratnakara"" from Sanskrit to Bengali under the patronage of Brojendrakishore Roychaudhuri. He was Chairman of the Board of Musical Studies of the University of Calcutta. His work ""Raga Vyakarana"" (in Hindi) has been published by the Bharatiya Jnanpith.
The growing interest of the Western, especially the English-speaking nations towards the North Indian Classical Music is more evident now than ever before. It is no doubt a sign for us to be happy about; at the same time it causes us deep concern whenever we try to appreciate
the great responsibility that has devolved upon us in presenting the correct interpretation of musical terms of the ancient Sanskrit
Aphoristic couplets of the ancient Sanskrit Texts, as they mostly are, even with their annotations, easily lend themselves to be
misinterpreted today. Painfully bearing this in mind the author has attempted this dictionary with great trepidations. He has depended solely on his own inner resources in interpreting the musical terms rather than allowing himself to be influenced by any other publications in English or in any other languages, lest he should tread on the trap of terminological inexactitude.
""This is an excellent text-book for it imparts knowledge of the ocean of music in the form of little drops. It is interesting to note that every word in music literature has a depth of meaning while the author explains the origin of each word with its history and development over the years along with suitable examples. The book reveals the meaning of 341 words and is indeed a music encyclopedia."" - Indica, Vol.:40, No.2, September, 2003
""The work explains, in very simple and clear language, the technical terms as found in Sastras and also those in common use. The history of the origin of the words, description of seventy-eight musical instruments and forty-seven varieties of talas."" - Dwaram V.J. Lakshmi, S.V.U. Oriental Journal Vol.: 46, No.182, 2003
""In this era, when Indian music is spreading worldwide, the author has rightly felt it a duty to prepare this Dictionary of musical terms. He presents the proper interpretation of musical terms of the ancient Sanskrit Sastras and explains them with reference to their origin and development. An additional fact is that the author remains true to Indian tradition and is not influenced by the Western methods of interpretation and presentations. Styled and arranged in such simple and precise form, this book will definitely be an essential aid for researches and students of music."" - V.K. Journal of Oriental Research Vol.71-73. p. 18
""This one covering words and terminology, Sanskrit, derivative and colloquial, applicable and applied to Hindustani Classical (Art) Music, is the foremost one, even considering the more recent publications on the usage of music terminology."" - R.C. Mehta, Journal of the Indian Musicological Society Vol.: 31, Jan-Dec.2000"
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About the Book : Indian music despite its limited popularity is not a spent force, but has still a great role to play in the firmament of world music is the siren song of this book, The Music of India by Atiya begum Fyzee-Rahamin. Its hoary origin, gradual evolution, the impact of foreign influences, the two principal schools - the Karnataka (southern) and the Hindustani (northern) - and the glorious periods, when some of its illustrious exponents enriched it with their immortal compositions and elevated it to dizzy heights of perfection are brought into sharp focus. The mysteries and misconceptions engulfing it are dispelled by an elucidation of four important parts (angas): Sur Adhaya (Law of tones), Tala Adhaya (law of Rhythm), Ast Adhaya (law of Musical Instruments) and Raga Adhaya (Law of Tunes). Its connexion with astrology and the exploits of some of its legendary masters are narrated to reveal the power of the Ragas and Raginis to transport the listeners to that haven of enchantment where nature and time stand still. The illustrations serve as foils to the text. All those interested in Indian Music will find this book an excellent introduction for further study.
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ISBN : 978-81-7320-117-2
Edition : 2011
Language : English
Size & Pages : Size, 23, Cm. pp, 176, 2011
Publisher : Agam Kala Prakashan
Format : Hardbound