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SPECIFICATION:

Publisher :  Pravin Prakashan Pvt. Ltd
Language : Gujarati
Pages : 207 pages
Weight :  250 Gram 
Size : ‎ 17 x 3 x 18 cm
ISBN-10 :  8177906860
ISBN-13 : ‎ 978-8177906868

Though the scholars in the country have tried to trace the genesis of the Ramayana from the Vedic and post-Vedic literature, with the fragments of the story of Rama found scattered in these texts, but the most important job in the composition of the story of Rama was done by the sage Valmiki, who happened to be the foremost of the Indian Sanskrit poets. He composed the work on the basis of the brief of Rama's story provided to him by the sage Narada, as well as the fragments of the story collected by him with the extensive travelling of the country which immensely added to its popularity with the masses. After the sage Valmiki, several subsequent poets brought out Ramayana texts in Sanskrit as well as in the regional languages. The work composed by Madhava Kandali in Assamese language happens to be one of the earliest works of medieval period, having been composed in the fourteenth century AD. The Ramayana of Krttivasa was composed in the fifteenth century, while the Ramacaritamanasa by Tulasidasa in the sixteenth century AD. The work of Madhava Kandali was composed on the basis of the Valmiki Ramayana, though some variations are noticed here and there. The present work is an English translation of the Madhava Kandali Ramayana in Assamese. Printed Pages: 600.

SPECIFICATION:

• Publisher : Chaukhamba Surbharati Prakashan
• By : Dr. Brahmanand Tripathi
• Cover : Paperback
• Language : Sanskrit Text with Hindi Translation
• Edition : 2013
• Pages : 1334
• Weight : 1 Kg
• Size : 8.5 INCH X 5.5 INCH
• ASIN ‏: ‎B00I0ALJJS

SPECIFICATION:

• Publisher : Rajpal and Sons
• By:  Harivansh Rai Bachchan
• Binding : Hardcover
• Language :   Hindi
  
• Edition : 2018
• Pages: 96 pages
• Size : 20 x 14 x 4 cm
  
• ISBN-10: 8170283566
• ISBN-13 : 9788170283560
  

DESCRIPTION:

अग्रणी कवि बच्चन की कविता का आरंभ तीसरे दशक के मध्य 'मधु' अथवा मदिरा के इर्द-गिर्द हुआ और 'मधुशाला' एक-एक वर्ष के अंतर से प्रकाशित हुए। ये बहुत लोकप्रिय हुए और प्रथम 'मधुशाला' ने तो धूम ही मचा दी। यह दरअसल हिन्दी साहित्य की आत्मा का ही अंग बन गई और कालजयी रचनाओं कर श्रेणी में आ खड़ी हुई है। इन कविताओं की रचना के समय कवि की आयु 27-28 वर्ष की थी, अतः स्वाभाविक है कि ये संग्रह यौवन के रस और ज्वार से भरपूर हैं। स्वयं बच्चन ने इन सबको एक साथ पढ़ने का आग्रह किया है। कवि ने कहा है: 'आज मदिरा लाया हूं-जिसे पीकर भविष्यत् के भय भाग जाते हैं और भूतकाल के दुख दूर हो जाते हैं..., आज जीवन की मदिरा, जो हमें विवश होकर पीनी पड़ी है, कितनी कड़वी है। ले, पान कर और इस मद के उन्माद में अपने को, अपने दुख को, भूल जा।''

The spectacular Madhubani painting depicts the importance of ecology balance in our life. Traditional tattoo style is made use of to highlight how important it is to maintain ecological balance in our life. Men and nature have a symbiotic relationship and we can't survive without nature. This genre of painting is marked by line drawings filled in by bright colours and contrasts or patterns. Though traditionally done by the women folk of the region, nowadays men are also involved in the process. These are basically tribal art which are marked by the application of strong earthly colours. Madhubani paintings are done with mineral pigments prepared by the artists. The work is done on freshly plastered or a mud wall. But nowadays, to meet the growing commercial demand, such paintings are also done on paper, cloth and canvas.

The beautiful mother goddess is given a refine and detail treatment in the Madhubani painting. The beautiful goddess is being encircled by a string of animals and some rings encircle the goddess. A refinement in treatment is manifest in the beautiful Madhubani painting. Madhubani painting has been done traditionally by the women of villages around Madhubani (the literal meaning of which is forests of honey) and other areas of Mithila. The painting was traditionally done on freshly plastered mud wall of huts, but now it is also done on cloth, hand-made paper and canvas.

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Madhubani painting or Mithila painting is a style of Indian painting this is a form of traditional art practiced in northern Bihar, known as the Mithilanchal. Originating from wall paintings or decorations and primarily practiced by rural women, this art form depicts nature and mythological tales, which have been passed on through generations in the form of simplistic graphics in two-dimensional perspective. Painting is done with fingers, twigs, brushes, nib-pens, and matchsticks, using natural dyes and pigments, and is characterized by eye-catching geometrical patterns. The paintings are traditionally based on mythological, folk themes and pastoral symbols. The central themes of most paintings are love, valor, devotion and fertility, though the approach may vary. So it is common to find scenes of courtship and marriages and symbols of fertility and prosperity like fish, parrot, elephant, turtle, sun, moon, bamboo tree, lotus, etc. in prominence. The highlight of the glorious heritage of Madhubani paintings is the exceptional uses of colours with earthy undertones along with brilliant workmanship.

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A deep sense of Joy is manifest in this beautiful madhubani painting, surrounded by abundance of food the elephants are shown in a playful mood. Madhubani style of painting is marked by line drawings filled in by bright colors and contrasts of patterns. Though traditionally done by the women folk of the region, nowadays men are also involved in the process. These are basically tribal art which are marked by the application of strong earthly colours. Madhubani paintings are done with mineral pigments prepared by the artists. The work is done on freshly plastered or a mud wall. But nowadays, to meet the growing commercial demand, such paintings are also done on paper, cloth and canvas.

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The beautiful Madhubani painting reflects the co-existence of birds and fish in Mithila, where this form of art is practised. The painting depicts a big bird along with a fish and then a chain of fishes surrounds the central figure. A number of natural colours and powders are nicely used in the painting. Madhubani style of paintings is central to Mithila in North Bihar and this is practised mainly by the women.

SPECIFICATION:

• Publisher : Rajpal and Sons
• By:  Harivansh Rai Bachchan
• Binding : Hardcover
• Language :   Hindi
  
• Edition : 2017
• Pages: 128 pages
• Size : 20 x 14 x 4 cm
  
• ISBN-10: 818170284260
• ISBN-13 : 9788170284260
  

DESCRIPTION:

'मधुशाला', 'मधुबाला', 'मधुकलश' अग्रणी कवि हरिवंशराय ‘बच्चन’ के तीन कविता-संकलन हैं जो हिन्दी साहित्य का महत्त्वपूर्ण अंग बन गए हैं और कालजयी श्रृंखलाओं की कड़ी में आ खड़े हुए हैं। इन कविताओं की रचना के समय बच्चन जी की आयु 27-28 वर्ष की थी, अतः स्वाभाविक है कि ये संग्रह यौवन के रस और ज्वार से भरपूर हैं। 'मधुकलश' की भूमिका में बच्चन जी ने लिखा है, ‘‘ये कविताएं सन् 1935-36 में लिखी गईं और सर्वप्रथम 1937 में प्रकाशित हुईं। इसके पहले मधुशाला 1935 में और 'मधुबाला' 1936 में प्रकाशित हो चुकी थीं। मेरे जीवन का जो उत्साह, उल्लास और उन्माद-गो उनमें एक अभाव, एक असन्तोष, एक निराशा की व्यथा भी घुली-मिली थी-'मधुशाला' और 'मधुबाला' में व्यक्त हुआ था, वह अब उतार पर था।’’ आगे लिखते हैं, ‘‘ये कविताएं जीवन के रस से खाली नहीं हैं और जीवन का रस मधु ही मधु नहीं होता, कटु भी होता है...समर्थ के हाथों अमृत भी बनता है।’’

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SPECIFICATION:

• Publisher : Rajpal and Sons
• By:  Harivansh Rai Bachchan
• Binding : Hardcover
• Language :   Hindi
  
• Edition : 2017
• Pages: 80 pages
• Size : 20 x 14 x 4 cm
  
• ISBN-10: 8170283442
• ISBN-13 : 9788170283447
  

DESCRIPTION:

 

हरिवंशराय ‘बच्चन’ की अमर काव्य-रचना 'मधुशाला' 1935 से लगातार प्रकाशित होती आ रही है। सूफियाना रंगत की 135 रुबाइयों से गूँथी गई इस कविता की हर रुबाई का अंत ‘मधुशाला’ शब्द से होता है। पिछले आठ दशकों से कई-कई पीढ़ियों के लोग इसे गाते-गुनगुनाते रहे हैं। यह एक ऐसी कविता है, जिसमें हमारे आस-पास का जीवन-संगीत भरपूर आध्यात्मिक ऊँचाइयों से गूँजता प्रतीत होता है। मधुशाला का रसपान लाखों लोग अब तक कर चुके हैं और भविष्य में भी करते रहेंगे, यह ‘कविता का प्याला’ कभी खाली होने वाला नहीं है, जैसा बच्चन जी ने स्वयं लिखा है- भावुकता अंगूर लता से खींच कल्पना की हाला, कवि साकी बनकर आया है भरकर कविता का प्याला; कभी न कण भर खाली होगा, लाख पिएँ, दो लाख पिएँ! पाठक गण हैं पीनेवाले, पुस्तक मेरी मधुशाला।