All products

-

-

The brass statue of combined form of Shiva Shakti , also called Ardhanarisvar, is a paradigm of artistic excellence. Whereas the left side of the statue is of a female ie Parvati (shakti), the right side represent the male figure Shiva . The left leg is well decorated whereas the right one is left undecorated. Every single part of the statue be it the legs, the hands in dancing posture, the prominent breast, the serpent, the headgear , all have been prominently treated.
Shiva and Shakti are inseparable aspects of the Nari (woman) & Ishwar (lord). The sentient and the insentient are the two categories that constitute nature. Nothing exists outside the pale of these two.
Theology abounds in terms such as Uma-Maheshwar, Lakshmi-Narayana, Radha-Krishna, Sita-Rama, Shiva-Shakti, Purusha-Prakriti, Ardhanarishwar, spirit and matter, signifying the twin aspects of Ardhnarisvar. These are all indicative of the fact that existence is a mixture of the sentient and the insentient.
The powers and activities of all beings are manifestations of Shakti alone. Without Shakti , Shiva has no ex-pression; and without Shiva, Shakti has no existence. Shiva is the silent witness. He is motionless and absolutely changeless.
He is not at all affected by the cosmic play. It is Shakti who does everything. She is the power by which the whole universe is permeated and energised. She is the personification of all wealth, power, beauty and virtue. It is she who bestows wealth- both material and spiritual- dispels difficulties and annihilates the evil ones.
The 13th chapter of the Bhagavad Gita is the Yoga of discrimination of the Kshetra and the Kshetrajna. The body is called Kshetra, the field. There is an intelligent principle that not only resides in the body but also cognises and governs it. The sages designate that discerning principle as Kshetrajna.
Therefore true knowledge is the understanding of both matter and Spirit. The knowledge pertaining to Prakriti or matter is classified as Apara Vidya or the lower knowledge and that pertaining to the Purusha or Spirit as Para Vidya or the knowledge superior.
The Mother's grace is boundless. Her compassion is illimitable. Her knowledge is infinite. Her power is immeasurable. Her splendour is indescribable. Approach her with an open heart. Lay bare your heart to her with frankness and humility. Make a total unreserved self-surrender to her. Worship her with faith and unflinching devotion.

Specification

• Product Code :190
• Material :White Marble, Special Note: Requires 4 weeks to finish and Ship
• Size :15"

Description

The beautiful image of the Shiva-Parvati has been carved out of single block of marble with some sparkling carvings on it. Lord Shiva, one of the Trinity, is also called Ardhnariswar that means without Parvati he is incomplete. It shows for creation both man and woman are essential. Whereas the right side of the body is that of Parvati the left side is of the Lord. The face reveals some sparkling smile. The drapery and ornaments also dazzle in the figure.

Special Note: Made to order, requires 4 weeks to finish and Ship, before shipping we will send images of the finished statue for the approval from your side, please note that the image is indicative a slight diference is to be expected a better finsh is assured.

Specification

• Product Code :428
• Material :Brass
• Size : 6.50"H x 5.50"W

Description

The beautiful brass image of Ardhnasiswar (Shiva and Parvati) has been sculpted out reveling some of the characteristics of Indian sculpture. A great degree of refinement and dazzling smoothness characterizes the magical figure that features the duality in human being. The right side of the figure is of Parvati and the left side is of Lord Shiva. The figure reveals some beautiful carvings on it.

-

-

Specification:

• Burning Time: 30 Minutes
  
• Packing Type: Rectangular Packet
  
• Fragrances : Bouquet, Masala, Oriental, Rose, Traditional
  
• Length: 10.16 cm
  
• Type: Masala Bathi

Description:

Arihant – a soul free from all imperfections. Arihant - the one who has
conquered all the inner passions such as anger, pride and greed. Made using
the best and the most natural ingredients, Arihant Jain Dhoop signifies
purity, sanctity and divinity. This alluring and mild Rose based fragrance
promises to weave an auspicious charm with its stirring floral undertones.

Incense is an important part of the daily puja ritual in Indian culture. An
essential puja incense, ‘Dhoop’ is a chemical and charcoal free puja
ingredient that comes with a mild fragrance. Rolled and shaped into a log
with blended perfumes, Dhoop Sticks are considered to be finest energy
purifiers. Arihant Jain Dhoop is a bamboo less incense.

Note:

Place incense away from flammable materials on a fire proof and heat
resistance surface/incense burner.

Light the coated end in case of incense stick/agarbathi or the top in case of
cone or sambrani, allow flame to catch; gently blow out the flame.

In case of wet dhoop, take the required quantity in hand and knead it well
and make it into the shape of a cone before lighting the tip of the cone.

Caution

Keep the burning Incense away from inflammable material, on a fireproof and heat resistant Surface. Do not ingest and keep out of reach of pets. Use with care in a well ventilated space.

Specification

• Product Code :5360
• Material :Cotton
• Size :55"H x 20.50"W
• Weight :

Description

In this beautiful applique work, Arjun the archer is given a prolific treatment. Here the master archer is bang on target as a dog looks at.Arjun is wearing a single drapery and his body is painted black whereas he is wearing a maroon cloth. Even the dog is pianted maroon. It was guru Dronacharya who taught Arjun the mastcraft of archery and it was his solemn pledge to make Arjun the world's greatest archer. And indeed Arjun one day became the greatest archer of the world and played a pivotal role in the epic battle of Kurukshetra against Kaurabas. Arjun's concentration on his vision was legendary as he at the time of fixing his arrow saw nothing except the target.

The spectacular Kalamkari painting depicts Draupadi's Swayamvar in sublime finesse. Draupaudi is wearing spectacular clothes. Arjun and Lord Krishna, other Pandavs are also nicely painted. Kalamkari is an ancient and exquisite art work of painted and printed fabrics which literally means pen work. This art form is hand painted and block printed with the use of vegetable dyes. This Indian art has evolved in the last 3000 years and this legacy has been handed down from generation to generation.

Centred around Srikalahasti and Masulipatnam areas in Andhra Pradesh, trees, flowers, creepers and leaf designs are some of the common motifs used by the painters.

Most of the indoor home dcor items are usually placed according to colour schemes and even themes such as animal theme, nature theme, floral theme, spirituality theme, etc.

The heavily ornate Kalamkari painting shows Arjuna at the Swayambara of Draupadi. Literally meaning a pen work, this type of painting developed in the temple region of Kalahasti in Andhra Pradesh. The beautiful painting contains lot of strong lines and drawings. No chemical colours are used in such paintings. Kalamkari art is unique in its use of colour as a medium to portray mythological characters.

The heavily ornate Kalamkari painting shows Arjuna at the Swayambara of Draupadi. Arjuna was one of the heroes of the Hindu epi cMahabharata. His skill in archery was to have an unlikely utility: it won him the hand of Draupadi, his first wife, the daughter of Drupada, king of Panchala. According to Mahabharata a contest was held by Drupada to choose a suitable match for his daughter. A wooden fish was suspended high above a pool of water; furthermore, the fish rotated in a circle. Contestants were required to string a heavy bow and then use it to hit the eye of the rotating fish. They were allowed to take aim at the eye of the fish only by looking at its reflection in the pool of water. Many princes and noblemen vied for the hand of the princess of Panchala, but every one of them was failed except Arjuna, the peerless archer, who alone was able to accomplish the set task; he won the hand of Draupadi. The beautiful painting contains lot of strong lines and drawings. No chemical colours are used in such paintings. Kalamkari art is unique in its use of colour as a medium to portray mythological characters.

• 100% NATURAL & GENUINE

• RARE GIFT OF NATURE

• "MOST ESSENTIAL FOR MAGIC & TANTRA"

• FOR DRAWING YANTRAS

• FOR WRITING MANTRAS & OTHER SPELLS

Specification:

• Net Quantity: 6 Nos Acrylic Tea Lights (12g each)
  
• Burning Time: 3 Hours
  
• Fragrances : Green Tea, Pinacolad, Bamboo

Description:

Pack of 6 acrylic cup coloured & scented Tea Lights. Made from purest of
wax and an exotic blend of essential oils - all brought together to create the
most exquisite handcrafted aroma candles, which are smokeless and drip
less.

Specification:

• Net Quantity: 25 Nos Aroma TeaLights (12g each)
  
• Burning Time: 3 Hours
  
• Fragrances: Pinacolada, Green Tea, Bamboo

Description:

Pack of 25 coloured scented Tea Lights. Made from purest of wax and an exotic blend of essential oils - all brought together to create the most exquisite handcrafted aroma candles, which are smokeless and drip less.

Specification

Description

This complete guide presents everything you need to know to enhance your health, beauty, and emotional well-being through the practice of aromatherapy. Kathi Keville and Mindy Green, who are masters in the fields of herbalism and aromatherapy, offer a fresh perspective on the most fragrant of the healing arts and discuss such topics as:
The history and theory of fragrance.
Therapeutic uses of aromatherapy for circulation, digestion, respiration, immunity, and more.
Instructions for creating personal beauty and skin-care products

Specification:

• Net Quantity: 5 Nos Diyas
  
• Burning Time: 2 Hours
  
• Weight: 200g
  
• Fragrances: Assorted

Description:

Gift set of 5 Diyas in a net pouch.

SPECIFICATION:

• Publisher : Jaico Publishing House
• By :  Chad Parkhill (Author)
• Binding : Paperback
• Language : Gujarati
  
• Edition : 2019
• Pages :  192 pages
• Size : : 20 x 14 x 4 cm
  
• ISBN-10: :  9387944980
  
• ISBN-13 :  978-9387944985

DESCRIPTION:

Illustrated by Alice oehr travel has always been a part of the cocktail DNA. This book traces the cocktail journey around the world, from the early 19th century to the 21st century, and details the colourful tales behind 80 excellent libations. The story of each cocktail comes with an easy-to-follow recipe, including many classics and some new recipes that make their public debut in these pages. The beautiful accompanying illustrations will inspire you to pack your bags and Board a plane. With tips on bartending techniques and equipment, as well as advice on creating a well-stocked home bar, this book is the perfect companion for budding bartenders, travel aficionados and cocktail lovers.

SPECIFICATION:

• Publisher : Jaico Publishing House
• By : Jules Verne  (Author)
• Binding : Paperback
• Language : English
  
• Edition : 2012
• Pages :  284 pages
• Size : :20 x 14 x 4 cm
  
• ISBN-13:  9789388423021
  

DESCRIPTION:

JAICO ILLUSTARTED CLASSICS SERIES is a collection of beloved childrens classics read by generations all over the world. Rich with adventures and thrills, these immortal stories with vivid illustrations are designed to delight young readers. PHILEAS FOGY, a wealthy Londoner, was a member of the Reform Club. He was also slightly eccentric. His friends at the club challenged him for 20,000 pounds to go around the world in eighty days. He accepted the wager and set out from London with his belongings. Did he win the wager? Come, let us join Phileas Fogy on his tour and find out. JULES VERNE was a French novelist, poet, and playwright. Verne has been the second most-translated author in the world, ranking between Agatha Christie and William Shakespeare. He is also called the Father of Science Fiction.

The compilation of articles is a glaring example of the multidimensional talent of Ananda K. Coomaraswamy (1877-1947), who was not only a pioneer historian of Indian art, a master-interpreter, one of the most versatile of this century whose scholarship and knowledge knew no bounds, but a universal man at the same time, the one who urged the Indians to be conscious of their glorious heritage. Coomaraswamy was the harbinger of Indian nationalism but his outlook was neither parochial nor chauvinistic. It had a universal appeal. The present volume is a rich collection of his thirteen important articles embedded in a single thread. These are: Art and Swadeshi; Swadeshi, True and False; Domestic Handicrafts and Culture; The International Congress of Applied Chemistry 1901 and Aniline Dyes; The Function of Schools of Art in India-A reply to Mr. Cecil Burns; On the Study of Indian Art; Facial Expression in Indian Sculpture; On Mughal and Rajput Paintings; Night Effects in Indian Pictures; Song-words of a Panjabi Singer; Poems of Rabindranath Tagore; The Modern School of Indian Painting; and Education in Ceylon. Diverse they are in contents, but they all convey a single message-the churned outcome of a master-mind visualizing things and events in their true perspective.