The Art of Indian Asia, 2 Vols.
The present work is intended not as a handbook but as an introduction to its subject, to be read from beginning to end. Each section is preparation for the next. Chapter I, presenting as it does a brief historical outline of the transformations of Indian art as well as a key to the symbology of the forms, can be used as a guide during the first perusal of the pictures. For the reader then wishing to find quickly the several portions of text referring to any spefific group of monuments, a copious index has been supplied, together with textual references in the Description of Plates and cross-references in the footnotes. Marginal references to the Plates, furthermore, accompany the text. These should make possible an easy and rapid correlation of the materials of the two volumes.
The first two groups of Plates in the text volume illustrate, for the most part, the anthropological and comparative observations of the text. Included among them, however, are a few photographs that are indispensable to Dr. Zimmer's argument but do not meet the aesthetic standard of the Plates volume. On the other hand, the final cluster of text Plates constitutes. an independent pictorial appendix, illustrating the miniature and Rajput art of the eleventh to nineteenth centuries A.D. Dr. Zimmer's notes on this subject had not been developed beyond preliminary jottings, and could not be incorporated in any major section of the text. But since there is actually a rather special, very delicate, lyric quality about these paintings on palm leaf and paper, which sets them apart, somewhat from the tradition of the stone monuments, it is not inappropriate that they should be given a separate place.
The first two groups of Plates in the text volume illustrate, for the most part, the anthropological and comparative observations of the text. Included among them, however, are a few photographs that are indispensable to Dr. Zimmer's argument but do not meet the aesthetic standard of the Plates volume. On the other hand, the final cluster of text Plates constitutes. an independent pictorial appendix, illustrating the miniature and Rajput art of the eleventh to nineteenth centuries A.D. Dr. Zimmer's notes on this subject had not been developed beyond preliminary jottings, and could not be incorporated in any major section of the text. But since there is actually a rather special, very delicate, lyric quality about these paintings on palm leaf and paper, which sets them apart, somewhat from the tradition of the stone monuments, it is not inappropriate that they should be given a separate place.
$240
Art of the Lower GangesValley: A Pictorial Monographs
Author : Prashnt Kumar Mandala
ISBN : 978-81-7320-135-6
Edition : 2013
Language : English
Size & Pages : Size Royal,pp.152,(Full art paper in four Col).2013
Publisher : Agam Kala Prakashan
Format : Hardbound
ISBN : 978-81-7320-135-6
Edition : 2013
Language : English
Size & Pages : Size Royal,pp.152,(Full art paper in four Col).2013
Publisher : Agam Kala Prakashan
Format : Hardbound
$40
Chroonological Idenitity in Indian Art
Author : Brija Kishor Paddhi
ISBN : 978-81-7320-104-2
Edition : 2010
Language : English
Size & Pages : Size 29 cm. pp.300, Illus.100, (Col & B/W), 2010
Publisher : Agam Kala Prakashan
Format : Hardbound
ISBN : 978-81-7320-104-2
Edition : 2010
Language : English
Size & Pages : Size 29 cm. pp.300, Illus.100, (Col & B/W), 2010
Publisher : Agam Kala Prakashan
Format : Hardbound
$53
Numismatic Gleanings
The Book
The present work contains thirty-three articles of the authors on some unique, interesting and significant coins and sigils which throw flashes of light on various aspects of the history, culture, religion, art, economy, trade and commerce, science and technology of the people of India in different periods of its long history. It is for the first time that minuscule copper punch-marked coins from Vidisha have been brought to light which acquaint us of the local economy during the later half of the first millennium BCE. The uniface cast copper coins collected from eastern Malwa and Khandesh region establish relationship of the area with the Deccan which has yielded similar coins. Coins of the city-state of Hathodaka indicate the role the city-states played in the development of trade and commerce in the Narmada valley during the early centuries before the commencement of the Common Era. The silver and copper coins from Eran-Ujjayin» region indicate the continued use of the white metal and corroborate the popularity of Vaishªavism in central India evidenced earlier by the discovery of an elliptical temple plan and the Garu©a-dhvaja pillar inscription at Vidisha. The indigenous gold coin confirms the use of this valuable metal for indigenous coinage before the Kush¹ªas. Another coin takes back the antiquity of the auspicious Hindu mythological art-motif of cow suckling the calf to circa third-second century BCE. New Mitra and S¹tav¹hana coins add to our existing knowledge by bits while Kalachuri and inscribed Vishªukuª©in type coins betray the existence of the scions of these dynasties or their allies in central India. Indo-Sassanian, Param¹ra and Y¹dava type coins from the region reveal the political developments of the medieval period while a piece with erotic theme tells of the use of a hitherto unknown motif. The darb of Akbar betrays the erring human nature and a coin-die of the emperor confirms the existence of a mint-town. The tetra-lingual silver seal of Nabha bears evidence to the use and popularity of various languages in the Malwa region of Punjab and the secular outlook of its rulers. All the articles thus help us in our understanding of our history in a better way to enlighten our future course.
The Authors
Devendra Handa is the recipient of Sir Mortimer Wheeler Prize, Maulana Azad and Archaeological Centenary Memorial medals (1964), Lowick Memorial Grant of the Royal Numismatic Society, London (1992 and 2007), Pandit Bhagwanlal Indraji Medal of the Indian Coin Society (2007) and Nelson Wright Medal of the Numismatic Society of India (2010). He was felicitated with Life-time Achievement Award by the NSI and Indian Coin Society in 2008 at Indore and has recently been honoured with Karmayogi Samman by the Haryana Institute of Fine Arts (2012). After his retirement from the Panjab University, Chandigarh he enjoyed Fellowship of the Indian Institute of Advanced Study, Shimla (2000-03), Senior Fellowship (Numismatics) of the Ministry of Culture, GOI, New Delhi (2003-05) and Senior Academic Fellowship of the ICHR, New Delhi (2009-11). He has authored Osian (Delhi, 1984), Studies in Indian Coins and Seals (Delhi, 1985), Jaina Bronzes from Hansi (New Delhi-Shimla, 2002), Buddhist Remains from Haryana (New Delhi, 2004), The Epic Pilgrimage – Pehowa (New Delhi, 2005), Early Indian Coins from Sugh (New Delhi, 2005), Sculptures from Haryana (2006) Tribal Coins of Ancient India (New Delhi, 2007), Coins and Temples (Mumbai, 2007), and Sculptures from Punjab (New Delhi, 2011).
Dr. Major M.K. Gupta, a medical practitioner by profession, served the Indian army during 1972-99. He is an avid collector and a collection of dated coins of each of the six hundred years from AH 818 earned him a place in the Limca Book of Records in 2004. He has a very vast collection not only of coins which range from the earliest to the present day ones but also of all sorts of antiques and curios which include 1500 seals and sealings from fourth to nineteenth century in Prakrit, Sanskrit, Hindi, Urdu, English and Panjabi languages written in Brahmi, Persian, Arabic, Roman, Devanagari and Gurumukhi scripts. A collection of about 120 coin-dies and nearly 600 images of Ganesh in various metals and stones are his proud possessions. He has been exhibiting his coins and other objects at various places and has won many awards including a gold medal of the Oriental Numismatic Society of London in International Coin Exhibition held at Nagpur in 1990. He has also contributed articles to various numismatic publications.
The present work contains thirty-three articles of the authors on some unique, interesting and significant coins and sigils which throw flashes of light on various aspects of the history, culture, religion, art, economy, trade and commerce, science and technology of the people of India in different periods of its long history. It is for the first time that minuscule copper punch-marked coins from Vidisha have been brought to light which acquaint us of the local economy during the later half of the first millennium BCE. The uniface cast copper coins collected from eastern Malwa and Khandesh region establish relationship of the area with the Deccan which has yielded similar coins. Coins of the city-state of Hathodaka indicate the role the city-states played in the development of trade and commerce in the Narmada valley during the early centuries before the commencement of the Common Era. The silver and copper coins from Eran-Ujjayin» region indicate the continued use of the white metal and corroborate the popularity of Vaishªavism in central India evidenced earlier by the discovery of an elliptical temple plan and the Garu©a-dhvaja pillar inscription at Vidisha. The indigenous gold coin confirms the use of this valuable metal for indigenous coinage before the Kush¹ªas. Another coin takes back the antiquity of the auspicious Hindu mythological art-motif of cow suckling the calf to circa third-second century BCE. New Mitra and S¹tav¹hana coins add to our existing knowledge by bits while Kalachuri and inscribed Vishªukuª©in type coins betray the existence of the scions of these dynasties or their allies in central India. Indo-Sassanian, Param¹ra and Y¹dava type coins from the region reveal the political developments of the medieval period while a piece with erotic theme tells of the use of a hitherto unknown motif. The darb of Akbar betrays the erring human nature and a coin-die of the emperor confirms the existence of a mint-town. The tetra-lingual silver seal of Nabha bears evidence to the use and popularity of various languages in the Malwa region of Punjab and the secular outlook of its rulers. All the articles thus help us in our understanding of our history in a better way to enlighten our future course.
The Authors
Devendra Handa is the recipient of Sir Mortimer Wheeler Prize, Maulana Azad and Archaeological Centenary Memorial medals (1964), Lowick Memorial Grant of the Royal Numismatic Society, London (1992 and 2007), Pandit Bhagwanlal Indraji Medal of the Indian Coin Society (2007) and Nelson Wright Medal of the Numismatic Society of India (2010). He was felicitated with Life-time Achievement Award by the NSI and Indian Coin Society in 2008 at Indore and has recently been honoured with Karmayogi Samman by the Haryana Institute of Fine Arts (2012). After his retirement from the Panjab University, Chandigarh he enjoyed Fellowship of the Indian Institute of Advanced Study, Shimla (2000-03), Senior Fellowship (Numismatics) of the Ministry of Culture, GOI, New Delhi (2003-05) and Senior Academic Fellowship of the ICHR, New Delhi (2009-11). He has authored Osian (Delhi, 1984), Studies in Indian Coins and Seals (Delhi, 1985), Jaina Bronzes from Hansi (New Delhi-Shimla, 2002), Buddhist Remains from Haryana (New Delhi, 2004), The Epic Pilgrimage – Pehowa (New Delhi, 2005), Early Indian Coins from Sugh (New Delhi, 2005), Sculptures from Haryana (2006) Tribal Coins of Ancient India (New Delhi, 2007), Coins and Temples (Mumbai, 2007), and Sculptures from Punjab (New Delhi, 2011).
Dr. Major M.K. Gupta, a medical practitioner by profession, served the Indian army during 1972-99. He is an avid collector and a collection of dated coins of each of the six hundred years from AH 818 earned him a place in the Limca Book of Records in 2004. He has a very vast collection not only of coins which range from the earliest to the present day ones but also of all sorts of antiques and curios which include 1500 seals and sealings from fourth to nineteenth century in Prakrit, Sanskrit, Hindi, Urdu, English and Panjabi languages written in Brahmi, Persian, Arabic, Roman, Devanagari and Gurumukhi scripts. A collection of about 120 coin-dies and nearly 600 images of Ganesh in various metals and stones are his proud possessions. He has been exhibiting his coins and other objects at various places and has won many awards including a gold medal of the Oriental Numismatic Society of London in International Coin Exhibition held at Nagpur in 1990. He has also contributed articles to various numismatic publications.
$40
Iron Artifacts History, Metallurgy,Corrosion and Conservation
The book gives a detailed account of the development of iron technology on Global perspective after Bronze Age, development in metallurgical identities and microstructure of metal at different temperatures. History of iron to philosophy and conservation of iron including technique of casting deterioration and metallographic studies for measuring types and level of decay of metals are covered.
$39
Jaina Rocks - Cut Caves in Western India
This excellent book brings to light 70 rock-cut caves excavated from 1st century B.C. to 15th century A.D. It is a welcome addition to literature on Jain architecture. Buddhist and Brahmanical cavesites the Ajanta Ellora and Elephenta are world famous but Jaina caves except Ellora are little known. This book documents each Jaina cave that has come to light in the region so far its architecture, iconography, stylistic features, etc.
$85
Art of Terracotta: Cult and Cultural Synthesis in India
The book focuses on cult and cultural synthesis in India. The terracotta images are of profound nature and have significant role in fertility and funerary rituals. The terracotta temples of Bishnupur have also been dealt with. The main focus in on votive terracotta, which includes portable icons and sculptured veneer on architectural monuments of Bengal in the late medieval period. The images are vaishnavite and saivite krishna, Buddha as avatara or vishnu, Ramayana and Mahabharata scenes, etc. have been depicted. T
$49