Bhoja, King of Malwa during the 11th Century A.D., is well known to us as the central figure of the Vikramacharita. The original version of this work was probably written during his reign in his honour.
In Vikramacharita, Bhoja discovers the throne of Vikramaditya, which is adorned by 32 statues. Each of these statues tells him a story. These statues are Apsaras (fairies) who are under a curse. Only when Bhoja has proved to them that he is as magnanimous, noble and generous as Vikramditya may he ascend the throne. He does and they are released from the curse.
But the Bhojaprabandha (narrative of Bhoja) by Ballala from which the following episodes have been retold is romantic tale, written in Sanskrit, partly in verse and partly in prose.
Balalla was interested not so much in history as in heroics. In his attempt to magnify Bhoja as a patron of art and letter, Ballala has ignored historical facts. The poets Kalidasa and Bana, who, he said adored Bhoja’s court, belonged to centuries much before Bhoja
In Vikramacharita, Bhoja discovers the throne of Vikramaditya, which is adorned by 32 statues. Each of these statues tells him a story. These statues are Apsaras (fairies) who are under a curse. Only when Bhoja has proved to them that he is as magnanimous, noble and generous as Vikramditya may he ascend the throne. He does and they are released from the curse.
But the Bhojaprabandha (narrative of Bhoja) by Ballala from which the following episodes have been retold is romantic tale, written in Sanskrit, partly in verse and partly in prose.
Balalla was interested not so much in history as in heroics. In his attempt to magnify Bhoja as a patron of art and letter, Ballala has ignored historical facts. The poets Kalidasa and Bana, who, he said adored Bhoja’s court, belonged to centuries much before Bhoja
Description
Bhoja, King of Malwa during the 11th Century A.D., is well known to us as the central figure of the Vikramacharita. The original version of this work was probably written during his reign in his honour.
In Vikramacharita, Bhoja discovers the throne of Vikramaditya, which is adorned by 32 statues. Each of these statues tells him a story. These statues are Apsaras (fairies) who are under a curse. Only when Bhoja has proved to them that he is as magnanimous, noble and generous as Vikramditya may he ascend the throne. He does and they are released from the curse.
But the Bhojaprabandha (narrative of Bhoja) by Ballala from which the following episodes have been retold is romantic tale, written in Sanskrit, partly in verse and partly in prose.
Balalla was interested not so much in history as in heroics. In his attempt to magnify Bhoja as a patron of art and letter, Ballala has ignored historical facts. The poets Kalidasa and Bana, who, he said adored Bhoja’s court, belonged to centuries much before Bhoja
In Vikramacharita, Bhoja discovers the throne of Vikramaditya, which is adorned by 32 statues. Each of these statues tells him a story. These statues are Apsaras (fairies) who are under a curse. Only when Bhoja has proved to them that he is as magnanimous, noble and generous as Vikramditya may he ascend the throne. He does and they are released from the curse.
But the Bhojaprabandha (narrative of Bhoja) by Ballala from which the following episodes have been retold is romantic tale, written in Sanskrit, partly in verse and partly in prose.
Balalla was interested not so much in history as in heroics. In his attempt to magnify Bhoja as a patron of art and letter, Ballala has ignored historical facts. The poets Kalidasa and Bana, who, he said adored Bhoja’s court, belonged to centuries much before Bhoja
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