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It is said that you unfold a whole new world every time you open a book. Ganges India presents to you the widest and the most distinctive genre of books to satisfy the diverse taste and preferences of all readers. Here you will find books of assorted topics and interest that can not only strengthen your love for books, but also change your life for good. So, readers! Assemble and dive into the greatest collection of knowledge and enrich your awareness and perception. Books have been an indispensable part of mankind and serve as a basis of our lifestyle. The foundations of all aspects of our lives from ideologies, beliefs, education, ethics, culture were laid by the knowledge our ancestors gathered from the prehistoric writings; and it passed on to the subsequent generations through writing itself. So in a way, the content of books can be intense enough to provide a meaningful direction to your life; precisely why we acknowledge the importance of a worthwhile theme and substance in a book. Hence, we bring to you a curated collection of books you would definitely consider keeping close to your heart. We understand your interest in the literary sphere and we have the perfect pick for all categories of book enthusiasts. Enlighten your mind with the various subjects available in Ganges India which includes Hinduism, Buddhism, Astrology, Art & Architecture, History, Philosophy, Performing Arts, Literature, Fiction, Alternative Health, Cooking, Travel, Biographies, General Books, Saints, Indian Languages and of course the junior readers can find their match in the Children’s section. Each category comes with a variety of options for you to choose from based on your personal inclination. One will undisputedly enhance their knowledge, wisdom and experience through these books without having to physically travel around the world or personally undergo any exasperating situations. Additionally, the different genres of books varying from educational, motivational, lifestyle, fiction will not only broaden your understanding towards the way the world works, but also will help you make better decisions for yourself as you would be exposed to a plethora of perspectives. Our Books section is empowered by the loyalty of readers towards books. Each book is provided with all the necessary details to ensure a pleasant buying experience for you. Also, we recommend that you go through the elaborate elucidation provided for most of the products, about the theme and author of the books for better comprehension of the content. Explore this exclusive section of readers’ paradise to immerse yourself in the cognizance of a wide range of subjects. We are certain that there are a gazillion of book-lovers out there; so before these books run out of stock, it is high time that you add them to your precious book collection in order to reinvent your passion and enhance your individual evolution. We are positive that you will be thrilled to read through the promising content of every product in this category
It was a period of transition from medievalism to modernism. Men of action and thought explored the world of matter and spirit. Guru Nanak revealed the secret of man’s spiritual potential. Similarly, he accepted life’s struggles and hardships and pioneereda movement of reform in social and religious conduct. He reformed the dregs of society through argument, conviction and personal example. His followers, called ‘sikhs’ formed a group of God-fearing men and women devoted to the service of the people. He laid down simple rules of conduct through which man could lead a humane and meaningful life and find his own fulfillment. Hindus and Muslims revered him alike. His life is an inspiring example of the practice of truth, love and humility.
Script approved by Shiromani Gurudwara committee, Amritsar
Yama, the awe-inpiring God of death, is also revered as the Lord of Justice. According to Hindu belief, all living beings reap the fruit of their actions after death. Yama administers justice to all the beings brought before him. Since he metes out justice strictly according to Dharma,he is called Yamadharma. Who else could test Yudhishthira but Yamadharma? Yudhishthira emerged from the ordeals a stronger soul.
The heroes of epics have their tragic flaws because epics always tell the whole truth. Like Rama, his ancestors also had natural flaws in their characters, which do not diminish the glory of their personalities.
It is interesting to note that the Puranas trace the genealogy of Rama to the Sun or Surya. Some of the illustrious ancestors listed in the genealogy are Manu, lkshwaku, Harischandra, Rohita, Sagara, Bhagiratha, Ambarisha and Rituparna. Brihadbala, who fought in the Mahabharata war, is said to be a descendant of Rama.
The British stronghold had gripped Bengal. The rural population starved and suffered, struggling to meet the taxes imposed upon thim by thie\eur rulers poverty stricken villages were left in a state of near abandon. In the face of all this misery, one young man named Satyananda yearned for truth, justice and freedom, and left his home to fight for his motherland. Soon, many others followed suit, and this band of patriotic youngsters came to be know as santaans (children).
The novel Ananda Math played an important role in fostering militant nationalism in Bengal I the early 20th century. Emulating the santaans, many young men gave up their homes and families to join secret societies that worked towards freeing India.
The songs Vande Mataram, which Bankim Chandra first wrote in this novel, echoed through the Indian freedom movement, inspiring patriotism and resolve. It was heard on the lips of many as they braved the lathis of the British police.
H.G. Wells, in his Short History of the World, says that Ashoka’s “reign for eight and twenty years was one of the brightest interludes in the troubled history of mankind”. Wells goes on to say, “Such was Ashoka, the greatest of kings. He was far in advance of his age”.
This volume is based on the original research of the author into the Mahavamsa, the Dipavamsa (the commentary on the Mahavamsa) and the edicts of Ashoka. Pali manuscript and other secondary sources have also been extensively studied in gleaning facts that will kindle new interest in the great Emperor Ashoka.
Hanuman was the chief general of the monkey king, Sugreeva. The story of his adventures, particularly after the monkey army reaches the seashore opposite Lanka, is one of the best efforts of pure imagination to be found in the Ramayana. Years later, this virtue also helped Hanuman submit himself to the buoyant valour of Rama’s children, Luv and Kush. Serious but never solemn, Hanuman ever taunted his half-brother Bheema, the Pandava prince, who was out on a quest for the flower Kalyanasaugandhika. This incident, in fact is one of the most charming and popular episodes in the Mahabharata.
Her birth, sought by King Drupada, presaged a purpose. Her steely will, which often gleamed through her hapless married life, was shaped by the power and plenty she knew as the beloved daughter of the wealthy king of Panchala. Draupadi was the complete woman, complex yet feminine, and her fiery personality lent a glow to everything that she did.
It was Arjuna who won her hand at her swayamvara, but she was to be the wife of all the five Pandava brothers. Her success as a devoted wife was notable enough to bring Satyabhama seeking her counsel on marital happiness.
When dragged into the assembly of gaming men at Hastinapura, her query on jurisprudence left the grave elders speechless. As a dutiful wife, she followed her husbands into exile and kept house for them in the forest. An intelligent woman, she often plied Yudhishthira with questions on morality. When Subhadra came as Arjuna’s second wife, Draupadi was jealous, but she controlled her emotions under her regal bearing. Later, although she knew that Keechaka was dead, her wrath would not be quelled until she saw that his corpse was well on its way to be burnt.
After coming to India in 399 AD During the Gupta rule, Fa Hien toured the country extensively and recorded his observations. His accounts mention the Indian socio-economic and political aspects only marginally, but are objective and authentic. Fa Hien’s records, therefore, form an important source of Indian history during the fifth century.
Many indologists hold that this deity is of Dravidian origin. A stone flag-post, often covered with a metal plate with an image of Garuda on top, is invariably erected in front of the image of the presiding deity, Lord Vishnu, in all Vaishnavaite tempes, as Garuda is considered to be one of the greatest devotees of Vishnu. During the Gupta age, which is referred to as the golden era of Indian history, the Imperial standard had an image of Garuda cast upon it. Garuda is represented as a large white-necked eagle, but his image in temples depicts him with a human trunk.
Serpents are the natural food of the eagle. The reason for this enmity is traced in the Adi Parva of the Mahabharata to the jealousy between Kadru and Vinata, the mother of the serpents and of Garuda respectively, and the two rival wives of Sage Kashyap. Only Vishnu could have these two born enemies – Garuda, the mighty eagle, and Shesha, the great serpent – wait upon him together. He uses Shesha as his couch and Garuda as his mount.
This wisdom, the wisdom of right thinking and right living, is preserved in the Jataka stories the Jataka tales, on which the present title is based, is a collection of 550 stories included in the pali canon. These are based on folklore, legends and ballads of ancient India. We cannot assign definite date to the Jataka stories. Taking into account archaeological and literary evidence, it seems likely that they were compiled in the period between 3rd century BC and 5t century AD. The Jataka tales provide invaluable information about ancient India civilization, culture and philosophy.
Atithideva bhava, or “may your guest be a god to you”, is an essential value mentioned in one of the Upanishads. The three stories in this book bear testimony to the extent of importance placed on hospitality as one’s primary dharma or duty.
‘The Golden Mangoose’ tells a story of ultimate sacrifice, where a Brahmin family risks starvation and death to fulfill the hunger of a guest. ‘The Enlightened Butcher’ speaks of duty and virtue, and the inseparable link between the two in one’s quest for truth. ‘The Pigeon’s Sacrifice’ is a simple story of hospitality as one’s foremost duty, beyond all else.
Our script is based on one of these legends.
Kalidasa is the author of several great Sanstrit poetic works (or Mahakavyas) and plays for which he is famous. Malavikagnimitram, Ritusamhara, Abhijnana-Shakuntalam, Meghaduta and Raghuvamsha are some of his most brillaian works. These reveal that Kalidasa was a lover of nature and his descriptions suggest that he traveled widely. His poetry has the freshness and beauty of a mountain stream. He portrays women with tenderness. He exhibits a special love for the town of Ujjayini in his writings and he probably knew it well.
Scholars have agreed that though all of kalidasa’s works are brilliant, his play Abhijanana-Shakuntalam must be rated as his greatest work. Today, Kalidasa is regarded as one of the immortals in the world of Literature, taking his place beside Shakespeare and Goethe.
This account of their life and times has been reconstructed form references, sometimes divergent, form Buddhist and Jain Literature. Both the sources claim the tow kings as adherents of their respective faiths.
The story of Sudama (a great devotee and childhood friend of Lord Krishna), which has retained its popularity with children down the ages, occurs in the some tenth book. The love of Krishna for Sudama forms the theme of many a devotional song and this story has been a source of sustenance of faith to the poor in the land. Sudama has understood the principle of non-attachment. He lives in dire poverty, and yet is happy. His wife too is content to do the same till some children are born to them.
How Sudama’s wife coaxes him to go and see Krishna, his prosperous and generous childhood friend, and what happens when Sudama does is retold in pictures in the following pages.
Rama was the eldest son of Dasharatha, the king of Ayadhya, who had three wives – Kausalya, Kaikeyi and Sumitra. Rama was the sone of Kausalya, Bharata of Kaikeyi and Laxman and Shatrughana of Sumitra. The four princes grew up to be braveand valiant. Rama won the hand of Sita, the daughter of King Janaka. Dasharatha wanted to crown Rama as the king but Kaikeyi objected. Using boons granted to her by Dasharatha earlier, she had Rama banished to the forest. Sita and Laxmana decided to follow Rama. While in the forest, a Rakshasi, Shoorpankha, accosted Laxmana but had her nose cut off by him. In revenge, her brother Ravana, king of Lanka, carried Sita away. Rama and Laxmana set out to look for her and with the help of an army of monkeys, they defeated Ravana.
When they returned to Ayothya after fourteen years in exile, Rama banished Sita on the suspicions of his subjects. She found refuge in the ashrama of sage Valmiki where she gave birth to twin sons, Luv and Kush.
This Amar Chitra Katha title is based on Uttara-Ramacharita of Bhavabhuti.
He wrote commentaries on the Brahmasutras, the Upanishads and the Bhagwad Gita. It was his view that these three philosophical texts proclaim bhakti as the chief means of realizing God.
In is life and teachings, Ramanuja upheld that all humans are born equal and that caste or social status has no role in determining one’s relationship with God. He accepted Kanchi Purna, who was not Brahmin, as his guru. One of his most worthy disciples, Dhanurdasa, was non-Brahmin form a lower caste. For Ramanuja, a Vaisnava (man of God) is worthy of respect; But be defined as true Vaishnava only one who has abundant love for God.
Krishna is often known as the ‘great lover’ in Indian mythology. Yet information of the women he had wooed, won and wed are surprisingly limited and is confined to his conquest of Rukmini.
This story encapsulates Krishna’s romantic marriage with Rukmini, who gives her heart to Krishna when she hears of his great deeds. Krishna’s whisking away of Rukmini under the very noses of his enemies is one of the most exciting parts of the tale.
Rumini is a perfect foil to Krishna in this idyllic tale. It is she who, though coy, makes the first move by confidently revealing her heart to her lover. She plans the details of their escape while demonstrating the high status of women in ancient India.
An ill-fated housewife, Kannagi loses her husband, Kovalan, to the art of a dancer, Madhavi, and finds him again only to lose him to the blind low of a king. Her story is set in the three ancient cities of South India – Poompuhhar, the Chola capital where she grew up; Madurai, the Pandya cpital where she fell; and Vanji, the Chera capital which placed her on a pedestal.
The epic is a rich record of a great civilization, vivid with descriptions of edifices, shrines, docks, market-places, squares; of laws and rituals, of Natya Shastra (the science of dance), musicology and musical instruments of the day. Known for its high dramatic content, Silappadikaaram is a shining jewel in Tamil literature.
Te Tamil Nadu Government has recently perpetuated the memory of Ilanga and his immortal classic by erecting at Kaveripattinam, a magnificent seven-storeyed art gallery called Silappadikaaram Kalaikoodam in ancient Dravidian architectural style. The structure narrates the story of Kannagi in stone carvings.
The path he advocated was the now well-known eight-fold path – right speech, right action, right means of livelihood to achieve control on the physical plane; right exertion, right-mindedness, right meditation to achieve mental strength; right resolution and right point of view for intellectual development. When these guidelines are adhered to, they bring about peace of mind. And this is borne out by the Buddhist tales that have come down to us over the year.
This Amar Chitra katha comprises of multiple stories. The first, ‘The Acrobat’, is about Ugrasena’s transformation from the royal treasurer’s son to an acrobat to a follower of Buddha. In the second story, ‘The Harvest’, Buddha teaches a farmer about the benefits of detachment. Buddha explains the ills of desire to the young Prince Kumara in the third story, ‘The Golden Maiden’. And finally, ‘Buddha and Krisha Gautami’ is one of the more famous stories, wherein Buddha teaches the distraught Gautami about the inevitability of death.
This wisdom, the wisdom of right thinking and right living, is preserved in the Jataka stories. The Jataka tales, on which this title is based, is a collection of 550 stories included in the Pali canon and are based on the ballads, legends and folklore of ancient India.
According to the Maha Ummagga Jataka, the Bodhisattva was once born as Aushadha Kumar who was endowed with celestial knowledge and superhuman powers. This issue of Amar Chitra Katha presents the second set of tales connected with Aushadha Kumar, and contain his adventures in the court of Mithila. The first set, ‘The Battle of Wits’, had stories form his childhood.
In the Puranas, the heaven over which Indra ruled is referred to as Indraloka or Devaloka and is inhabited by the devas, the secondary deities. His city is Amaravati; his elephant, the four-tusked Airavata; and his horse, Uchchaishravas.
Stories like the ones included in this collection, which depict India as a benign and noble deity, are rare. Most of the stories in the Puranas depict Indra as a deity jealous of mortals who performed tapas (austerities) or yajnas (fire sacrifices). This was because, according to Puranic lore, the Position of Indra could be attained by anyone who performed a hundred Ashwamedha Yajnas.
All the stories in this collection are based on the Mahabharata. The story of Shibi is similar to the one narrated in the Mahabharata about Ushinara, his father.
This wisdom, the wisdom of right thinking and right living, is preserved in the Jataka stories. The Jataka tales, on which the present title is based, is collection of 550 stories included in the Pali canon. These are based on folklore, legends and ballads of ancient india. We cannot assign a definite date to the Jataka stories. Taking into account archaeological and literary evidence, it seems likely that they were compiled in the period between 3rd century BC and 5th century AD. The Jataka tales provide invaluable information about ancient Indian civilization, culture and philosophy.
This volume of bird stories that deals with issues of friendship, greed and loyalty, will keep the children amused, while never failing to point out the ultimate triumph of good over evil.
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