Gods Collection - Lord Rama
Gods Collection - Lord Rama
30 products

Specification
- Product Code :B779
- Material :Handmade Paper
- Size :15"H x 22"W
Description

Specification
- Product Code :3476
- Material :Cotton Cloth
- Size :42" x 32"
Description
-
Specification
- Product Code :80
- Material :Cotton
- Size :70"x22"
Description
Lord Rama with his companians, a labourious Kalamkari work showing Hanumana, Hayagreeva, Laxman, Bharat, Sugreeva and others.

Specification
- Product Code :3735
- Material :Water based colors on velvet
- Size : 26" x 20"
Description

Specification
- Product Code :604
- Material :Patti Paper (Cotton and Paper Togather)
- Size :19"x11.50"
Description
Hanuman’s devotion to the Lord Rama, Sita’s love for Rama, and the popularity that the King had in his state all has been given a vivid picturisatsation by the artists. Vibrant colours, strong lines, naturtal dyes are the basic features of the Patachitra paintings of Orissa that normally paint the mythological figures of Hinduism. Mainly made on silk or on old cotton glued with paper, the artists use a mixture of chalk and tamarind seed paste to give the surface a leather like texture. The figures have been arduously painted giving each and every one equal treatment.

Specification
- Product Code :801
- Material :Patti paper (cotton and paper togather)
- Size : 12" x 18"
Description
This patachitra painting from Orissa stands out to be a unique creation in itself as the fantastic pictorial conceptions, the idiosyncratic conventions, the extraordinary system of line formations and vibrant use of colours have given this painting based on a theme of the epic Ramayan a bright efflorescence. The uniqueness of this school of painting was derived from some primitive forms of aboriginal art from Orissa or its neighbouring states. While the demons have been painted blue and black the banar sena (monkey soldiers) have been treated with yellow colours.A beautiful tradition of painting from Orissa, the process of preparing the canvas (Pata) is onerous and involves the preparation of a tamarind seed paste, mixed with water in an earthen pot and subjected to further treatment. When the canvas is dry, it is polished, a process that takes several hours. Once it is dry, the paintings ('chitrakarita') begin. A border is drawn around the pata. Then the outlines of the figures are drawn in white pigment. Next the background between the border and the figure or figures is painted in a solid colour, that are either natural or organic. Later, fine decorations are added to the picture. The painting is finished with a protective coating.
Main menu
