Assemblage of variegated colours and the use of geometric motifs have made the wall hanging a very beautiful piece of art. Pink, gray, black, yellow colours are used in a beautiful mixture and the tapestry has yielded a refine appearance that is a solace for the suffering souls.
Some spectacular bead works have been nicely reflected in the amazing Gujarati Patch work. Gujarati patchwork has been the hallmark of the rich traditions of wall hanging in the State where women weave dreams in cotton with their inborn skills. A number of beautiful and variegated dress designs have been nicely put together to yield an amazing effect in the Gujarati patchwork. The borders of the wall hanging are painted green.
The ten incarnations of Vishnu have been nicely executed in the hanging bell with some sparkling characteristics of brass sculpture. Hanging bells are common feature in every Hindu temple and these are hung at the entrance of the temple. It is a ritual for the disciples whosoever pays a visit to the temple to ring the bell. The bell reflects some delicate carvings on it apart from carving out ten incarnations of Lord Vishnu, viz., Matsya (Fish), Kurma (Tortoise), Varaha (Boar), Narasimha, Vamana, Parasurama, Ram, Krishna, Buddha, Kalki. The long chain also reflects greater degree of smoothness.
The temple peacock bell is being given a detail and graceful treatment by the sculptor. The figure of the peacock is being nicely sculpted out of brass wit some beautiful carvings on it. Such kind of bells decorates every Hindu temple and once a visitor steps into the temple he is to ring the bell.
Working with beadwork, sequins and glittering zari threads on cotton patchwork, the artist has created floral image on the Gujarati textile work. The artist conjures fields of jade and emerald that host intricate motifs in glittering zari embroidery. Enhanced with patchwork, shiny flecks and beautiful beadwork, this splendid wall hanging exemplifies Gujarati textile art.
The beautiful wooden book stand reveals a greater degree of gracefulness and smoothness. The bookstand with some beautiful designs on it is used for keeping religious scriptures in almost all households. Such book stands with holy religious books are quite common in the temples in India.
The beautiful marble painting of Ganapati reveals artistic excellence and fine treatment of the object. Painted on marble it reveals a greater sense of aesthetic beauty. A rare sense of gracefulness and an accomplishment is evident in the painting. A splendid application of water colour and 22 karat gold has made the piece a rare one. Lord Ganesha, one of the most worshipped gods in Hinduism has been shown with his two hands holding lotus flowers and with his two other hands he is shown composing the Mahabharata that Vyas dictated to him.
A number of light colours have been beautifully portrayed in the wall hanging with some sparkling embroidery works. Bathed in golden light, each patch segment is lavishly embroidered. Sequins and beadwork embellish the Gujarati textile. The background features an elaborate patchwork composition that is accented with shiny beads and sequins. The mirror works in the wall hanging has given rise to some sparkling effect in the work.
The enchanting beauty of Bani Thani has been captured in the amazing marble painting. The Rajasthani beauty is adorned with spectacular gracefulness and a deeper sense of feminine character. Her red lips, the broad eyes with eye- brows, have been given a royal treatment and the painting is full of ornaments and 22-karat gold. A sense of shyness is manifest in the beautiful painting. Indeed the superlative beauty of the lady is a treat for eyes. Bani Thani paintings characterize the Kishangarh school of paintings in Rajasthan. Bani Thani was a housemaid of Raja Sawant Singh’s (1748-1764) stepmother Bankawatji. Raja Sawant Singh had a soft corner for Bani Thani because of her enchanting beauty. She was tall, slim, with queenly smile and red lips. Besides being an ardent devotee of Krishna, Savant Singh was an accomplished poet and painter. He under the name of Nagari Das composed many poems in praise of Bani Thani. Also, there are several paintings depicting the amorous episode of Krishna and Radha carrying the name of Nagari Das at back. He instructed his chief court painter Nihal Chand to paint Radha, the consort of Krishna drawing inspiration from Bani Thani. As Sawant Singh had completely given himself to Bani Thani, she also completely entrusted herself to him. Sawant Singh went to Mt. Govardhan along with Bani Thani where Krishna had lifted the Mt. Govardhan on his index finger to safeguard the people of Brij from the wrath of Indra. He and Bani Thani sang devotional songs and later came to Mathura the birthplace of Krishna. Bani Thani came to be known as Rasik Bihari and composed the hymns for the priest Hari Das. She died a year after her lord Nagari Das.
The beautiful marble painting of Swami Balajee of Tirupati is being nicely treated revealing a greater sense of devotion and spirituality. The Painting shows a deeper sense of treatment as one of the most well known gods in South India is being treated with a lot of carvings and decorations. 22 karat gold and water colour dazzle in the spectacular painting.
Specification
- Product Code :268
- Material :White Marble
- Size :22.86 cm
- Weight :650g.
Description
- Peacock design With Meenakari work
- Gold Leaf and Floral Design Peacock Marble Vase
Hand painted gold leaf and Floral Design Peacock Marble vase. Artifact is jewelled with meenakari and kundan work. A masterpiece in marble, adorned with subtle stokes of gold work to add brilliance to your home decor. A perfect gift for any occasion. These marvellous handcrafted artifacts from Rajasthan carved out of pure white marble
The beautiful marble painting with 22-karat gold and floral designs of Jai Shree Nath Jee has been treated in a most beautiful and graceful manner. The heavily ornate figure of the Baba is being shown kept in a temple and it reveals a number of jewellries. The figure contains some of the sparkling carvings on it.
