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The spectacular brass figure of the Lord Hanuman, the monkey-god in Hinduism, is nicely carved out with a greater sense of finesse and excellence. A true masterpiece itsel, the brass figure reveals a deep sense of devotion and accomplishment as the Lord is standing with His folded hands. The figure reveals a great amount of smoothness. Lord Hanuman is a great devotee of Lord Ram and played a significant role in rescuing Sita from the clutches of demon king Ravana. Whereas the Lord is wearing a loincloth, the headgear is marked by striking carvings on it.

The joy, the happiness of the people of Mithila is getting a vivid depiction in the beautiful Madhubani Painting. A number of human figures, animals are being depicted in the painting with lot of trees. Mithila paintings, alternately called Madhubani, are a folk tradition kept alive by women in northern Bihar. Together, they draw traditional designs and depict events from epic mythology on the floors and walls of their houses using crushed wet rice and natural colors on handmade paper. From this age old tradition stemmed the practice of drawing Mithila paintings on a canvas of handmade paper or pure mulberry silk fabric, using natural colors and fabric dyes. Brushes, sharpened reeds and pen nibs are used to draw the designs and figurations.

The local goddess is being given a kaleidoscopic portrayal in the beautiful Madhubani painting. Her eyes are prominent and the surroundings are given a geometric depiction. The borders are nicely painted. Madhubani paintings are centred in Mithila in North Bihar and these paintings are made exclusively by the women in the region. Natural colours and powders such as holi are used extensively to depict local and mythological characters. Sharp lines and beautiful patterns characterize these paintings that reveal the uniqueness of this paatern of art.

The beautiful Madhubani painting is given a detail treatment by the women painters of Mithila. The huge tree at the centre of the painting is surrounded by a number of animal and human figures. Madhubani paintings are practised by the female artists of Mithila in Bihar and they use natural colours and powders to create beautiful paintings on cotton clothes. Normally natural motifs and gods and goddesses from Hindu pantheon are decorated with beautiful colours and lines.
The Elephant headed God is shown here on a yellow leaf. Crystal coloured stones along with golden finish gives an embellishment to the desktop product. Son of Lord Shiva, one of the Trinity Gods in Hinduism, and Parvati, Ganesha is the Lord of Good Luck and he is worshiped first among all gods and that is why he is also called Agraganya. Lord Ganesha is also known as the Remover of Obstacles since he creates obstacles on our path when time is bad and removes the same once time turns good for us. The Lord is often worshiped along with Goddess Lakshmi, the goddess of prosperity and wealth. The leaf is also marked by spectacular gold embellished designs.

The Goddess Durga is one of the most powerful goddesses in Hindu pantheon and she occupies an important role in the society of Mithila in North Bihar where this style of painting is practised by the women. The Goddess is painted standing on the tiger and natural colours and powders are nicely used in the Madhubani painting, a forte of the women in Mithila.

Specification
- Product Code :9252
- Material :Brass
- Size :4"H x 7.50"W x 3.25"D
- Weight :1.950
Description
Ganesha, the elephant-head god is tre remover of obstacles. Before starting any work, people worship Lord Ganesha so that the work can be completed successfully without any obstacle. Lord Ganesha is also known as Ganapati, Siddhi Vinayak, Prathamesh etc. He is also called Vighneshwara. Ganesh is a popular figure in Indian art.
The spectacular brass figure of the Remover of Obstacles, Lord Ganesha, is beautifully carved out with some nice designs and carvings. The Lord of Learning is given a refine and minute treatment with some exquisite carvings on it. Lord Ganesha is here shown seated on a chowki (chair). One of the most-worshipped gods, Lord Ganesha is also known as the Agra Ganya as he is worshipped first among all gods. Lord Ganesha is also one of the most benevolent gods in Hinduism and he could be easily propitiated.
The beautiful brass figure of the Lord of Wisdom, Lord Ganesha is given a refine and detail treatment with some nice carvings. One of the most-worshipped gods in Hinduism, Lord Ganesha is the son of Lord Shiva and Parvati and He is worshipped at the beginning of any journey or other ceremony. Also known as the Remover of Obstacles, Lord Ganesha can be easily propitiated, as He is one of the most-banevolent gods in Hinduism.
The beautiful Batik painting depicts the Lord of Wisdom, Lord Ganesha in a graceful manner. The Lord is seated in a composed manner and his face reveals a deeper sense of satisfaction and appreciation. Lord Ganesha is one of the most worshipped gods in Hinduism and he is worshipped at the beginning of any journey or religious ceremony. The process involved in the execution of a Batik painting is indeed a tedious one and the process of dewaxing gives a special effect to the painting.

Lord Vishnu, the god of all gods, has been given a royal treatment in the beautiful Madhubani painting. The Lord has been painted along with some floral traditions. Gracefulness and illustrious character of the painting is evident in the painting that is painted in the traditional styles on handmade paper using purely natural dyes. The Lord has been nicely decorated and it is a paradigm of beauty of this form of popular art form.

The beautiful Madhubani painting depicts the scene of the birth of Lord Krishna in a simple yet nice manner. Lord Krishna was born in the cage of his maternal uncle Kansh amidst thunderstorm and hailstorm. The birth of Lord Krishna heralded an era of peace and new hope and ultimately he put an end to reign of terror and atrocity. The spectacular Madhubani painting is marked by nice colour patterns and contrasts.

The spectacular Madhubani painting portrays the local version of a well-known story from Purana.
Once, both gods and demons fell short of the elixir or Amrita and some other precious things to reappear after the recreation of the universe. The gods sought the assistance of the demons for churning of the ocean of milk, which would bring forth these treasures. They offered them an equal share of the Amrita.
The demons agreed and helped the gods to tear up the Mount Madura to use as a churning stick. The serpent King Vasuki comes from his underwater abode to be used as a churning rope. The gods took the tail end and the demons pulled from the head. As the churning continued, Vasuki's breath grew very hot and the demons almost suffocated.
But when Vasuki started vomiting a poison that threatened to contaminate the ocean of milk and the Amrita, Shiva took it in his mouth, where it turned his throat blue. (This is why Lord Shiva is known as Neelkantha). As the churning progressed, the Mount Madura started sinking into the ocean bed. Soon, Vishnu assumed the form of his tortoise avatar Koorma and let them use his back as a pivot upon which the churning stick could turn.
The Ocean produced Lakshmi, Sura, Goddess of wine, Chandra or the Moon, Rambha the nymph, Uchchaisravas the white horse, Kaustubha a jewel, Parijata the celestial wishing tree, Surabhi the cow of plenty, Airavata a white elephant, Sankha a conch shell, Dhanus a mighty bow and Visha the poison vomited by Vasuki.
And at last the Ocean also produced the Amrit, carried by Dhanwantari. Both the gods and demons tried to seize the Amrit but the demons were first. While they were quarreling over who should drink it first, Vishnu assumed the form of Mohini, a beautiful woman. Mohini gave the demons varuni, or liquor, while the gods got the amrit.


In this spectacular Madhubani painting, the Sun is painted sparkling red. The Sun is painted at the centre and is surrounded by minor creatures. The painting shows the centrality of the sun god to the lives of the Mithila people. The painting shows the religious beliefs of the simple people of Mithila for who the sun is the ultimate source of all energy and the Sun is held in high esteem and is worshipped with devotion.

The simplicity and gracefulness of the beautiful Painting Lord Balabhadra, the brother of Krishna and a key figure in the Jagannath Rath Yatra is manifest in the sparkling Pata painting. Made of a patti paper, i.e., paper and cloth together, the painting shows the tall and standing figure of the Lord with his four hands. The figure has been given a detail and refine treatment and it contains lot of carvings on it. A mature treatment of the patterns of line is manifest.

One of the most cherished forms of paintings in India, Patachitra is centred on the State of Orissa. The master painter has come out with a classic painting of Lord Balaram, one of the key figures in the ratha yatra, in a most brilliant form. Using pigment and watercolours, he has made the superb painting in tussar silk and has given a perfect finishing touch. Indeed a collector's choice. The prominence of variegated colours, the lies have given the painting a masterly appearance.
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