The beautiful gemstone of Shivlingam is delicately carved with a deep sense of finesse and refinement. Shiv lingam is held in reverence in temples all over the sub-continent. It is a symbol of that which is invisible yet omnipresent. It is therefore a visible symbol of the Ultimate Reality which is present in us. The Shivalingam denotes the primeval energy of the Creator. It is believed that at the end of all creation, during the great deluge, all of the different aspects of God find a resting place in the Lingam; Bhrama is absorbed into the right, Vishnu to the left and Gayatri into the heart. The Shivalingam is also a representation of the infinite Cosmic Column of fire, whose origins, Vishnu and Bhrama were unable to trace.
Lush green is at its best in this spectacular stone necklace. Beautiful stone beads are nicely put together in the spectacular necklace that is a darling of every woman. The jeweler has crafted the necklace with a rare sense of precision and accomplishment. The jeweler orchestrates harmonious elegance for the melodious design of this necklace.
- Product Code: N2769
- Size: 17" L
- Material: Green Jade Natural Stone
Specification
- Product Code :2804
- Material :Brass
- Size :10"H x 6.75"W x 6"D
- Weight :3.00 kg.
Description
The beautiful brass figure of the female Boddhisattva is nicely carved out. Tara is a female Bodhisattva in Mahayana Buddhism who appears as a female Buddha in Vajrayana Buddhism. She is known as the "mother of liberation", and represents the virtues of success in work and achievements. In Japan she is known as Tarani Bosatsu but virtually unknown in China. Tara is a tantric meditation deity whose practice is used by practitioners of the Tibetan branch of Vajrayana Buddhism to develop certain inner qualities and understand outer, inner and secret teachings about compassion and emptiness. Tara is actually the generic name for a set of Buddhas or bodhisattvas of similar aspect. These may more properly be understood as different aspects of the same quality, as bodhisattvas are often considered metaphoric for Buddhist virtues. Green Tara, known as the Buddha of enlightened activity is the most common form of Tara. She is also known as White Tara representing compassion, long life, healing and serenity; also known as The Wish-fulfilling Wheel, or Cintachakra, Red Tara, of fierce aspect associated with magnetizing all good things, Black Tara, associated with power, Yellow Tara, associated with wealth and prosperity, Blue Tara, associated with transmutation of anger, Cittamani Tara, a form of Tara widely practiced at the level of Highest Yoga Tantra in the Gelug School of Tibetan Buddhism, portrayed as green and often conflated with Green Tara, Khadiravani Tara (Tara of the teak forest), who appeared to Nagarjuna in the Khadiravani forest of South India.
Specification
- Product Code :530
- Material :Brocade,Water colors,Paper
Description
The spectacular Buddhist painting depicts the Buddhist Goddess Green Tara in a most accomplished manner with a fine colour pattern. Green gets its due in this beautiful painting. Tara in Tibetan Buddhism, is a female Bodhisattva in Mahayana Buddhism who appears as a female Buddha in Vajrayana Buddhism. Known as the mother of liberation, she represents the virtues of success in work and achievements. Tara is a tantric meditation deity whose practice is used by practitioners of the Vajrayana Buddhism. She is invoked to develop certain inner qualities and understand outer, inner and secret teachings about compassion and emptiness. In fact, Tara is the generic term for a set of Buddhas or bodhisattvas of similar aspect. These may more properly be understood as different aspects of the same quality, as bodhisattvas are often considered metaphoric for Buddhist virtues. Green Tr, represents the Buddha of enlightened activity. Tr is also known as a saviouress, as a heavenly deity who hears the cries of human beings.
Specification
- Product Code :4926
- Material :Brass
- Size :6"H x 4.25"W x 2.25"D
- Weight :800 gm.
Description
Specification
- Product Code :412
- Material :Oxidized Copper
- Size :6" x 4.50"
- Weight :550 gm.
Description
The beautiful figure of the goddess Tara is being given a refine and detail treatment. A Tantric figure, she is worshipped both by the Hindus and the Buddhsits in India and Tibet. Tara is quite well known to the West through Her Tibetan manifestations. She occupies in the Hindu tantrik pantheon. She is the second of the ten Mahavidyas. The figure is shown in a seated posture. She has an important role in Tantrik cosmology because mantra, words, music are considered to be the very source of the cosmos. As Matrika Shakti She deludes the entire human race with Her Maya of letters, and words. This has been expressed in a Tantrik form, but, practically speaking, it is sufficient to say that much hypnosis (Maya) comes about via the medium of words. Millions of people have lost their lives through this power. Thus Her power and place in the Tantrik pantheon is quite justified, and Her mantra is described as a Siddha-Vidya, the cause of Maya and Englamouring. The background GIF here is the bija mantra of Sarasvati, Aim.
The beautiful wall hanging is given a royal treatment with some spectacular mirror works and beads and sequins being nicely put together in the Gujarati patchwork. Green is the royal colour and the amazing wall hanging celebrates the royal regalia with some spectacular dress designs and some dazzling colours. A number of floral designs have been nicely put together with some exquisite embroidery. The borders of the beautiful wall hanging are coloured green.
The galaxy of colours has been given a royal treatment in the splendid Gujarati Patchwork. The green is the royal choice of the artists and a number of sequins and bead works sparkle amidst beautiful mirrorworks. A number of floral designs have been patched together in the beautiful wall hanging reflecting a glorious effect. The beautiful cotton work is full of dress designs and it is indeed a testimony of the glory of Gujarati patchwork tradition.
SPECIFICATION:
- Publisher : Rajpal and Sons
- By: William D. Dar (Author)
- Binding :Paperback
- Language : English
- Edition :2014
- Pages: 224 pages
- Size : 20 x 14 x 4 cm
- ISBN-10: 9350642832
- ISBN-13 :9789350642832
DESCRIPTION:
Greening the Grey calls for expanding the Green Revolution to the semi-arid drylands of Africa and Asia and making agriculture an effective engine for growth for smallholder farmers threatened by 'Big Food Big Agriculture' and globalised food chains. It narrates the pioneering efforts of the International Crop Research Centre for Semi-Arid Tropics (ICRISAT) and the broad array of its partners working hand-in-hand with the dryland farming poor, overcoming major challenges with dedication, creativity and good cheer through 'Science with a Human Face'. The book aims at invoking a renewed understanding and recommitment to the fundamental role of agriculture in the development process in helping to transform the grey world of dryland poverty, food insecurity and despair, into a green one of food security, health and prosperity. William D. Dar is a world-renowned agriculture scientist who worked for 15 years as Director General of ICRISAT at Hyderabad. Earlier he served as the secretary of Agriculture in the Philippines A man on a mission and a champion of the poor, William D. Dar is committed to alleviating the conditions of the poor living in the drylands of Asia and sub-Saharan Africa. Arun K. Tiwari is missile scientist turned technology manager. A pupil of Dr. A.P.J. Abdul Kalam, he pioneered the development of affordable medical devices as defence technology spinoffs. A teacher and mentor for hundreds of biomedical engineers, he is committed to making India the hub for developing affordable products through the convergence of Bio-Nano-Info-Cogno technologies for the benefit of the people of the developing world. This is their second book together after, Feeding the Forgotten Poor, which was published in 2011.
The spectacular wall hanging is given a colourful treatment and it celebrates the victory of colours. Some beautiful geometric motifs have been nicely put together. A number of light colours have added some sparks to the beautiful wall hanging. Gujarati patchwork is famous for its originality and unique designs. A fine embroidery work dazzles in the wall hanging revealing the rich traditions of patch work in Gujarat.
Specification
- Product Code :3476
- Material :Cotton Cloth
- Size :42" x 32"
Description
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Specification
- Product Code :B6529
- Material :Water colors on paper, signed by artist
- Size :15" H x 10" W
Description
The marvelous miniature painting is given a refine and detail treatment with some spectacular colour patterns. The musicians are playing instruments in a desert camp. Beauty of a desert setting is beautifully painted in the spectacular painting. Colour treatment is excellent. Such miniature paintings have a long history of glory dated back to as old as the 11th and 12th century. This genre of painting got prominence under the mighty Mughal rulers, who were great patrons of art and painting. Rajasthan is a hub of miniature painting and even today different miniature art schools flourish in the regions of Jodhpur, Jaipur, Mughal, Kangra and Mewar.
The painting depicts five holymen resting by the bonfire. Two of the holymen are shown sleeping and the other three have busy on discussion about the God. The bonfire, the background trees all has been nicely treated. Made on watercolour, the painting depicts the gravity of the holysouls, engrossed in deep thoughts.