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SPECIFICATION:

• Publisher :Rajpal and Sons
• By: Amartya Sen (Author)
• Binding :Hardcover
• Language: Hindi
• Edition :2018
• Pages: 196 pages
• Size : 20 x 14 x 4 cm
  
• ISBN-10::8170286743
  
• ISBN-13: 9788170286745
  

DESCRIPTION: 

नोबेल-पुरस्कार-विजेता अर्थशास्त्री अमर्त्य सेन संस्कृति और समाज-विज्ञान के भी मौलिक चिन्तक हैं। अपनी पूर्व प्रकाशित पुस्तक ‘भारतीय अर्थतंत्र, इतिहास और संस्कृति’ में उन्होंने संस्कृति और मानव धर्म से जुड़े प्रश्नों पर विस्तारपूर्वक विचार किया था। अब अपनी इस नई पुस्तक में वे एक सर्वथा नए विषय और मौलिक चिन्तन दृष्टि के साथ हमारे सम्मुख हैं। अस्तित्व अथवा पहचान का प्रश्न और जंगल की आग की तरह फैल रही हिंसा की गहरी अर्थपूर्ण परख और समीक्षा इस पुस्तक का विषय है। विद्वान लेखक के गहरे अनुशीलन और चिंतन का परिणाम है यह अत्यंत महत्त्वपूर्ण सामयिक पुस्तक।

Specification:

• Publisher : Sri Ramanasramam
  
• by : Sri Ramana Maharshi
  
• Cover : Paperback
  
• Language : English
  
• Edition : 2018
  
• Pages : 663
  
• Weight : 1590gm.
• Size : 9 × 6 × 0.5 in
• ISBN-10: 8182882729
  
• ISBN-13: 9788182882720

Description:

It is the English translation of Sri Ramana Sannidhi Murai by Poet Sri Muruganar in Tamil, extolling the greatness and the grace that one gets at the presence of Sri Ramana Maharshi.

Compilation of Sanskrit texts written by Bhagavan in his own handwriting. English translation is not present except for the text Arunachala Pancaratna Vartikam (Commentary on Arunachala Pancharatran)

This compilation is divided into two parts. Part one contains mainly the the Glory of Aruṇācala from ancient purāṇas such as Skanda – Mahā Purāṇam and the Upa-Purāṇam, Śiva Mahā Purāṇam, Śiva Bhakta Vilāsam etc. Part two contains Bhagavān’s and others’ Sanskrit compositions apart from many collection of His handwriting.

The book contains many gems like Arunachala Pancaratna Vartikam (Commentary on Arunachala Pancharatran) of Lakshmana Sarma with Bhagavan’s addition to make it into 108 verses. For this text, the English and Tamil equivalents in Bhagavan’s handwriting are also presented. Texts like Siva Jnana Bodham, selections from Yoga Vasishta are also present.

Mother Goddess Lakshmi or Sri is the female energy of the Supreme Being. She is the Bestower Of Wealth,Abundance,Prosperity and purity.She is the embodiment of beauty, grace and charm.For Hindus the meaninig of Laksmi is Good Luck,the word Laksmi is derived from the Sanskrit (ancient Indian language) word Lakshaya means aim and Mi is for self,thus the aim for a good self.Although she is worshipped daily, the festive Hindu month of Kartik is Lakshmi's special month.In Vedas Lakshmi is depicted as a Hiranyavarna or golden complexioned woman with four hands, sitting or standing on a full bloomed lotus and holding two lotus buds on Her two upper arms,cascades of gold coins are seen flowing from Her lower left hand or some times she is represented as holding a bowl of wealth in Her left hand while She blesses mankind with Her lower right hand.

The spectacular marble painting depicts the Lord playing his flute as a mesmerized Radha looks on him. The beautiful trees are also given a refine touch. Golden inlay works sparkle in the beautiful miniature painting. Marble, a natural stone with spectacular beauty and brightness, is available in a variety of colors, some of which are particularly used to impart a natural and rugged look to the artifacts. A paradigm of perfection and beauty, marble paintings embodies traditional as well as contemporary styles. Golden inlays sparkle on this marvelous marble paintings.

The saga of immortal and spiritual love between Lord Krishna and Radha finds its glistering presence in the decorative box of ravishing beauty. Radha is totally mesmerized in his immortal tunes of celestial love. The Kumawat paints the box with natural gemstones of different colours. Applied to a sheet of glass, they grace the lid of a yellow-lined kadam wood box. The box has been given a royal treatment by carving sharp lines on it.

In this beautiful Madhubani painting, Lord Krishna is playing his flute whereas two gopis seem to be mesmerized by His immortal tune. The Lord Krishna is sitting on a tree, whereas the gopis are looking at Him. Madhubani painting, also known as Mithila Art, as this genre of painting is centred around Mithila region in Bihar, is marked by line drawings filled in by bright colours and contrasts or patterns. Though traditionally done by the women folk of the region, nowadays men are also involved in the process. These are basically tribal art which are marked by the application of strong earthly colours.

"The book presents the history and the doctrines of the Ajivikas who formed a third heretical sect besides the sect of Gautama Buddha, the founder of Buddhism and that of Mahavira Vardhamana, the twenty-fourth Tirthankara of the Jainas. The three heterodox sects react against the ritualistic creed of the Vedists.

The cult of Ajivikas was founded by Makkhali Gosal, the contemporary of Mahavira Vardhamana, on the basis of strict determinism with a belief in the all-embracing rule of Niyati (principle of order). According to Gosal, it was Niyati which ultimately governed our action, controlled phenomena and left no room for human volition.

It will throw new light on an interesting and significant aspect of India’s past, and will encourage further research.

This book is divided into fifteen chapters discussing elaborately different aspects of the subject matter. The comprehensive Bibliography and Index are the added features for the researchers for comparative as well as further study of yet unexplored areas."