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SPECIFICATION:

• Publisher : Rajpal and Sons
• By: Mohandas K. Gandhi (Author)
• Binding :English
• Language : Hindi
• Edition :2019
• Pages: 300  pages
• Size : 20 x 14 x 4 cm
  
• ISBN-10: 8170287405
• ISBN-13 :9788170287407
  

DESCRIPTION: 

Mahatma Gandhi is the most influential Indian of the twentieth century whose shadow continues to loom large over the country even sixty years after his death. He struggled and dreamt of a India free not only from the yoke of the British rule but also free from the evils of poverty, illiteracy, untouchability with all its citizens enjoying equally the fruits of freedom and prosperity. Many of his revolutionary ideas, termed as idiosyncrasies then, are fashionable concepts followed by today's generation. And the resurging popularity of 'Gandhigiri' is proof of Gandhi's continuing relevance in the twenty-first century. The book offers a fascinating peep into the mind and ideas of Gandhi and his dream for a vibrant and prosperous modern India.

Specification

•     Product Code :11090
•     Material : Wooden
•     Size : 4. 25" length
•     Weight : 50g
  

Description

It's a wooden unique antique look stand generally for wooden chappals or Khadau without heels, Used in pooja or worship room. It changes the looks in your home by putting your wooden Chappal in this wooden stand and it looks descent too.

SPECIFICATION:

• Publisher : Voice of India
• By : Sita Ram Goel (Author), Yashpal Sharma (Author)
• Cover : Paperback
• Language : English
• Edition : 2000
• Pages : 119
• Weight : 210 gm
• Size : 8.4 x 5.4 x 0.3 inches
• ISBN-10: 818599059X
• ISBN-13: 978-8185990590

DESCRIPTION:

The ideology Secularism had taken shape during the European Enlightenment (18-19 centuries). Pandit Jawaharlal Nehru who had never used the term in his pre-independence writings or speeches, simply picked up a prestigious world form the Western political parlance and made it mean the opposite of what it meant in the West. The outcome of this perversion proved disastrous for the newly independent nation, as became more than obvious in due course. In pre-independent India, the 'Muslim minority' had exercised a veto on who was to be hailed as 'nationalist' and who was to be denounced as 'Hindu communalist'. Now the same 'minority' reacquired the same veto on who was to be applauded as 'secularist' and who was to be hounded out as 'communalist'. In short, the term 'secularism' in the post-independence period has been and remains no more than a euphemism for Hindu-baiting. The word 'India's' instead of 'Indian' has been used in the title of this book because there is nothing Indian about Nahruvian Secularism. In fact, the term 'secularism' in its original Western sense had remained unknown to Indian political parlance because Indians had never envisaged or experienced a theocratic dispensation before the advent of Islam and its state apparatus in this country. Even today, traditional Indian scholars do not understand what theocracy means, and how Secularism in the Western sense stands opposed to it. And this 'secularism' has not been defined as Nahruvian because it is shared in common by all political parties including the Bharatiya Janata Party.

About the Author
Bipan Chandra, recipient of the Padma Bhushan, was born in Kangra, Himachal Pradesh. He was educated at Forman Christian College, Lahore and at Stanford University, California. He was Professor of Modern History at Jawaharlal Nehru University (JNU), New Delhi, where he is currently Professor Emeritus. He was honoured as National Professor and was also the Chairperson of the National Book Trust. Professor Chandra has authored several books on nationalism, colonialism and communalism in modern India.

A riot of colours is getting a vivid portrayal in the beautiful Kalamkari painting. The Kalamkari painting reveals the beauty of the tree full of leaves. The painting is being given a royal and colourful treatment by the artists of Andhra Pradesh. The painting reveals s greater degree of gracefulness and feminine nature. The resplendent tree is indeed a masterpiece in the traditional Kalamkari style of painting. The effulgence of colours and the characters that emerge on cotton fabric, help create a resplendent spread in the painting.

SPECIFICATION:

• Publisher : Manjul Publishing House
• By : Frank Channing Haddock
  
• Cover : Paperback
  
• Language : English
  
• Edition : 2021
  
• Pages : 390 pages
  
• Weight : 490 g
  
• Size : 15 x 23 x 0.6 cm
  
• ISBN-10 : 9391242715
  
• ISBN-13 : 978-9391242718
  

DESCRIPTION:: 

‘Indian Roots, Ivy Admits: 85 Essays that got Indian Students into the Ivy League and Stanford’ is an inspired collaborative by Viral Doshi, top education consultant in India, and Mridula Maluste, leading writing and editorial consultant for university applications and more. Writing the Common Application essay is one of the most anxiety-inducing tasks that many aspiring university students encounter. The essay is meant to uniquely identify each student, and give him and her the winning edge.‘Indian Roots, Ivy Admits: 85 Essays that got Indian Students into the Ivy League and Stanford’ is for any student who aims to pursue higher education in world-class universities. It fulfils its promise to engage and empower aspiring candidates, and tops that by giving them valuable perspectives in reflecting on their lives, and in analyzing and composing thoroughly engaging essays. Every essay within these pages has been written by a young student who earned a well-deserved place in an Ivy League university or Stanford. Each essay is followed by an insightful review and an in-depth assessment that will help aspirants understand how to approach, map and write their own strongly structured, creative application essays. Curated by Viral Doshi and Mridula Maluste, two of India’s leading experts in the domain of education, this book is an invaluable resource for students and teachers, as well as enthusiastic parents.

The book is an epoch-making work-a paradigm-shift in Vedic studies-which identifies soma as electrum (gold-silver metallic compound). Soma is referred to in the Rgveda as the soul of the yajna (atmayajnasya). The path-breaking identification is based on textual evidence and a penetrating analysis of the Indian alchemical tradition, spanning nearly five millennia. The author is also the discoverer of the integrating role played by the mighty Sarasvati river adored in the Rgveda as the best of mothers, best of rivers and best of goddesses. Sarasvati and soma are no longer mythology but relevant to present-day children, respectively, as the repository of groundwater sanctuaries in north-west India and the metallurgical tradition starting with the Bronze Age Civilization, c. 3000 BC. Sarasvati and soma are the symbols of the great Indian traditions of devi worship and personification and deification of natural, material phenomena. The tirthas along the rivers are reminders of the critical nature of water management problems all over India and soma as an integral part of the yajna process, is the embodiment of the scientific, technological and materialist temper of ancient India. Printed Pages: 346.