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SPECIFICATION:

• Publisher : Chinmaya Mission Trust
• By : Commemntary by S.N.Sastri
• Cover : Hardcover
• Language : English
• Edition : 2005
• Pages : 761
• Weight : 950 gm
• Size : 8.8 x 6 x 1.6 inches
• ISBN-10: 8175972661
• ISBN-13: 978-8175972667

DESCRIPTION:

This is a devotional work of a little over one thousand years by the famous devotee-poet Sri Narayana Bhattatiri who lived in Kerala in the 16th century AD. This work is acclaimed by scholars as asuperb outpouring of devotion as well as a literary work of a very high order.It is a masterly condensation of Srimad Bhagavata,considered to be the greatest of all the Puranans. A favourite book of Swami Chinmayananda,the book has been well translated by S.N.Sastri.

SPECIFICATION:

• Publisher : Manjul Publishing House
• By : Rahat Indori
• Cover : Paperback
• Language : Hindi
• Edition : 2016
• Pages : 130
• Weight : 200 g.
• Size : 7.9 x 5.5 x 1.6 inches
• ISBN-10: 8183227023
• ISBN-13: 978-8183227025

DESCRIPTION:

नाराज़ राहत इंदौरी राहत की पहचान के कई हवाले हैं - वो रंगों और रेखाओं के फनकार भी हैं, कॉलेज में साहित्य के उस्ताद भी, मक़बूल फिल्म के गीतकार भी हैंऔर हर दिल अज़ीज़ मशहूर शायर भी है I इन सबके साथ राजनीतिक और सामाजिक परिस्थितियों की पृष्ठभूमि में इंसान की अंदरुनी और बाहरी कश्मकश के प्रत्यक्षदर्शी भी हैं I राहत की शख़्सियत के तमाम पहलू उनकी ग़ज़ल के संकेतों और प्रतीकों में छलकते हैं I उनकी शायरी की सामूहिक प्रकृति विद्रोही और व्यंगात्मक है, जो सहसा ही परिस्तिथियों का ग़ज़ल के द्वारा सर्वेक्षण और विश्लेषण भी है I राहत की शायरी की भाषा भी उनके विचारों की तरह सूफ़ीवाद का प्रतिबिंब है I प्रचारित शब्दावली और अभिव्यक्ति की प्रचलित शैली से अलग अपना रास्ता बनाने के साहस ने ही राहत के सृजन की परिधि बनाई है I निजी अवलोकन और अनुभवों पर विश्वास ही उनके शिल्प की सुंदरता और उनकी शायरी की सच्चाई है I - निदा फाज़ली

In this spectacular Pata painting, Lord Krishna is shown riding a Nari Kunjar (elephant made of gopinis). The artist paints the gopinis in the form of an elephant amidst floral environment. This is a quaint genre of art that has had its origins in Medieval India. This particular art form is called Kunjar, a Sanskrit term meaning the elephant. This is largely due to the place of prominence attributed to the Elephant form in its early designs. An unusual form of art, it was primarily designed to highlight the artist’s skills of composition and ‘assemblage’, most importantly within the parameters of a frame work. Animal frames were commonly used though initially restricted, to those of the Elephant and the Horse. The most impressive aspect of this art form was the innovative use of the figure of the woman, nari, presented usually in multiple numbers. Here even the borders are marked prominently with some floral designs.

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Specification

• Product Code :174
• Material :White Marble, Special Note: Requires 6 weeks to finish and Ship
• Size :48"

Description

Narsimha is an incarnation of Lord Vishnu,according to Hindu scriptures Lord Vishnu took the incarnation to protect his devotee Pralada. Prahlada was the son of demon king Hiranyakashipu who hated even the name of Lord Vishnu,due to this haterdness he even didn't spare his son Prahlada.Prahlada had to face lot of torture and abuse by his father. Hiranyakashipu tried so many times to kill Prahlada but by the grace of Lord Vishnu he remained safe at every attempt,no one was able to oppose or kill Hiranyakashipu because he had recieved a boon from Lord Brahma that he would not be killed by any man,woman, or animal, nor through weapon neither in the day nor at night,neither on the ground and nor in the air,in the house or outside.Then to protect his devotee Prahlada,Lord Vishnu took the form of Narasimha (The half man half lion) He dragged the the demon on his lap (Neither ground nor in air) the time was evening (Neither day nor night)and tor his stomach with his claws (No man made weapons) As Lord Krishna said in Gita "Hey Arjuna i come time to time in different incarnations to protect Dharma on this Mother Earth.

Special Note: Made to order, requires 6 weeks to finish and Ship, before shipping we will send images of the finished statue for the approval from your side, please note that the image is indicative a slight diference is to be expected.

Specification

• Product Code :2382
• Material :Pink soft stone of Orissa
• Size : 12"H x 6"W
• Special Note : Not in a single piece of stone

Description

The beautiful stone figure of Lord Ganesha is given a refine and spectacular treatment with some dazzling carvings on it. Also known as the Lord of Wisdom, Lord Ganesha is one of the most worshipped gods in Hinduism and He is worshipped at the beginning of any ritual. The Remover of Obstacles is shown playing the dholaka and two big mice are also shown below. A great sense of gracefulness and accomplishment is manifest here.

SPECIFICATION:

• Publisher : DC Books
• By : Madhavikutty
• Cover : Paperback 
• Language : Malayalam
• Edition : 2019
• Pages : 360
• Weight : 500 gm
• Size : 21 x 14 x 0.6 cm
• ISBN-10: 8171306551
• ISBN-13: 978-8171306558

DESCRIPTION:

It is a collection thirteen stories which portrays the strong feelings of woman her love and betrayal. Nashtappetta Neelambari love based stories is written by Madhavikutty.

Specification

• Product Code : B6513
• Material: Cotton Cloth
• Size: 
• Large 45" x 35"
• Medium 30" x 22"
• Weight: 150 gm.

 

Description:

Nataraja, The Lord of Dance is a depiction of the Hindu god Shiva as the cosmic dancer who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation.--Fine quality block painted

 

Specification

• Product Code : 18566
• Material: Cotton Cloth
• Size: 
• Medium 30" x 22"
• Weight: 150 gm.

 

Description:

Nataraja, The Lord of Dance is a depiction of the Hindu god Shiva as the cosmic dancer who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation.--Fine quality block painted

 

A sense of gracefulness, effulgence is manifest in this beautiful Batik painting. Here the Lord is in Nataraj posture. The background is sparkling.

Lord Shiva, as the Nataraj, represents the rhythmic motion of life. He is considered the Master of all the 64 forms of dance mudras. The painting in variegated colours is full of life and enthusiasm. The method of waxing and then dewaxing, a characteristic feature of this genre of painting, gives rise to a special effect in the painting. It is believed that on the auspicious occasion of Maha Shivaratri, Shiva performs the ecstatic dance of realization (Nataraja). The dance symbolises the thrill of god-realisation.

Specification

Description

 

The beautiful silver pendant depicts the Lord of Dance in a most prolific manner. The Lord of Destruction is dancing in a rhythmic motion. As Nataraj (Sanskrit: Lord of Dance) Lord Shiva represents catastrophe and creation as he dances away the illusive world of Maya transforming it into power and enlightenment.

Here the Lord is shown as the source of all movement within the cosmos, represented by the arch of flames. The purpose of the dance is to release men from illusion of the idea of the "self" and of the physical world. The cosmic dance was performed in Chidambaram in South India, called the center of the universe by some Hindus. The gestures of the dance represent Shiva's five activities, creation (symbolized by the drum), protection (by the "fear not" hand gesture), destruction (by the fire), embodiment (by the foot planted on the ground), and release (by the foot held aloft).

Specification

Description

The beautiful Kalamkari painting depicts the Lord Shiva in His Nataraj form. One of the Trinity Gods in Hinduism, the other two being Lord Brahma and Vishnu, Lord Shiva is the master of dance. Nataraj Shiva represents the rhythmic motion of life. Here the Lord is shown dancing over the dwarf that represents ignorance. Kalamkari is one of the most popular folk paintings and the painter needs to have deep knowledge of lines and pattern.

The beautiful Batik painting of Lord Shiva, the King of Dancers, is given a nice and detail treatment in the traditional Batik style. Nataraja's dance activates dormant vital energy (kundalini shakti) and it becomes an act of creation. It reflects the cosmic motion of life. The lower right hand is in the abhaya mudra position, bestowing peace and protection. The second left hand points downward to the uplifted left foot, signifying release. The right foot, planted on the prostrate body of Apasmara Purusha, the demon of forgetfulness, symbolizes human ignorance of our divine nature. A ring of flames and light arises from and surrounds the dancer, representing the purifying power of the dance. Nataraja's face, meanwhile, remains calm, quietly witnessing the tremendous display of his own energy with just the hint of a smile.
The beautiful painting in light blue shows the Lord with full of life and enthusiasm.
The method of waxing and dewaxing gives rise to a special effect to the painting.