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SPECIFICATION:

• Publisher : Rajpal and Sons
• By: R. K Narayan
• Binding : Hardcover
• Language :  Hindi
  
• Edition :2015
• Pages: 192 pages
• Size : 20 x 14 x 4 cm
  
• ISBN-10: 9350643588
• ISBN-13 9789350643587
  

DESCRIPTION:

बरगद के पेड़ तले भारत के श्रेष्ठ कहानीकार आर.के. नारायण के प्रिय काल्पनिक शहर, मालगुडी, की अमूल्य धरोहर में एक अनूठे नग की तरह है जिसमें सौदागर, भिखारी, साधु-सन्त, अध्यापक, चरवाहे, ठग जैसे अलग-अलग चरित्रों की दिलचस्प कहानियाँ हंै। कहीं तो है एक विद्रोही नवयुवक जो पैतृक मन्दिर में अपने माता-पिता की ली गई प्रतिज्ञा का पालन करने से साफ इनकार कर देता है, तो वहीं सीधा-सादा दुकानदार एक अजनबी की मनमोहक बातों में आकर दिवालिया हो जाता है, और एक छोटा-सा लड़का अपना साहस दिखाने के लिए रात को अकेले ही चोर को पकड़ दिखाता है। ऐसी ही अट्ठाईस रोचक कहानियाँ हैं बरगद के पेड़ तले में। कहानीकार आर.के. नारायण शब्दों के जादूगर थे जो अपने शब्दों के मायाजाल और जीवन्त चित्राण से पाठकों को मोह लेते हैं। कहानी का विषय कैसा भी हो, पात्रा कितना भी क्रूर क्यों न हो, परिस्थिति कितनी भी विकट क्यों न हो, लेकिन आर.के. नारायण की शालीन कलम हर स्थिति को मानवीय नजरिये से पेश करती है।

SPECIFICATION:

• Publisher : Rajpal and Sons
• By: R. K Narayan
• Binding : Paperback
• Language :  Hindi
  
• Edition :2018
• Pages: 192 pages
• Size : 20 x 14 x 4 cm
  
• ISBN-10: 93506435710
• ISBN-13 9789350643570
  

DESCRIPTION:

बरगद के पेड़ तले भारत के श्रेष्ठ कहानीकार आर.के. नारायण के प्रिय काल्पनिक शहर, मालगुडी, की अमूल्य धरोहर में एक अनूठे नग की तरह है जिसमें सौदागर, भिखारी, साधु-सन्त, अध्यापक, चरवाहे, ठग जैसे अलग-अलग चरित्रों की दिलचस्प कहानियाँ हंै। कहीं तो है एक विद्रोही नवयुवक जो पैतृक मन्दिर में अपने माता-पिता की ली गई प्रतिज्ञा का पालन करने से साफ इनकार कर देता है, तो वहीं सीधा-सादा दुकानदार एक अजनबी की मनमोहक बातों में आकर दिवालिया हो जाता है, और एक छोटा-सा लड़का अपना साहस दिखाने के लिए रात को अकेले ही चोर को पकड़ दिखाता है। ऐसी ही अट्ठाईस रोचक कहानियाँ हैं बरगद के पेड़ तले में। कहानीकार आर.के. नारायण शब्दों के जादूगर थे जो अपने शब्दों के मायाजाल और जीवन्त चित्राण से पाठकों को मोह लेते हैं। कहानी का विषय कैसा भी हो, पात्रा कितना भी क्रूर क्यों न हो, परिस्थिति कितनी भी विकट क्यों न हो, लेकिन आर.के. नारायण की शालीन कलम हर स्थिति को मानवीय नजरिये से पेश करती है।

Specification

Description

A seires of books on different facets of Ayurveda were written by the Eminent vaidyas based on their experimentations and observations, duly following the basic principles and tenets of Samhita kala Ayurveda, these works nourished and enriched the ancient medicine to evolve, expand and enlarge further.

'Sri Basava Rajiyam' is one such contribution from Andhra Pradesh, it was written is Sanskrit and partly in telugu language roughly around, 1764-1797 AD but published first time in, 1913- 1919 in Madras. Author of this treatise is 'vaidya jana bhushana'. Sri Nilakanta kottur basava Raju was an eminent practioner of Ayurveda. He belonged to 'sidda-rudra sampradaya' -Shaiva- especially 'veera shaiva' - Lingayat sect.

Sri Basava Rajiyam, covers areas like roga nidana; chikitsa with pathya and apathy; effective formulations diseare-wise; method of preparation (medicines) (Bhaisajya kalpana), rasa-shastra, shodhana of minerals, yantra vijnana etc. However it's main stress in on therapeutics. It's original contributory formulations which are so effective and so popular include- svachhanda bhai-ravai, jvarankushrasa, shitamshurasa, malini vasanta rasa, jvara murari, vaishnavi rasa, bhedi jvarankush rasa, an and a bhairavi, chintamani rasa, jayamangala rasa, mrtyunjaya rasa, tarunakra rasa, Ardha-nariswara rasa, Agni kumara rasa, sutika bharana rasa, Lokanatha rasa, Badavagni rasa, sudhanidhi rasa, paityantaka rasa Ardha khandavalehya, vasanta kusumakara, Ramabana rasa Chandra kala rasa, Lilavilasa rasa, Bilvadi Lehyam, Trivikram Rasa etc. Hundreds of formulations still rule the Ayurveda therapy.

Apart from this, Basava Rajiyam exclusively specialised Nadi pariksha, karma vipaka and

SPECIFICATION:

• Publisher : Rajpal and Sons
• By:  Harivansh Rai Bachchan
• Binding : Hardbound
• Language :   Hindi
  
• Edition : 2019
• Pages: 236 pages
• Size : 20 x 14 x 4 cm
  
• ISBN-10: 8170282853
• ISBN-13 :9788170282853
  

DESCRIPTION:

 

प्रख्यात हिन्दी कवि हरिवंशराय ‘बच्चन’ की आत्मकथा का पहला खंड, ‘‘क्या भूलूँ क्या याद करूँ’’, जब 1969 में प्रकाशित हुआ तब हिन्दी साहित्य में मानो हलचल-सी मच गई। यह हलचल 1935 में प्रकाशित ‘‘मधुशाला’’ से किसी भी प्रकार कम नहीं थी। अनेक समकालीन लेखकों ने इसे हिन्दी के इतिहास की ऐसी पहली घटना बताया जब अपने बारे में इतनी बेबाक़ी से सब कुछ कह देने का साहस किसी ने दिखाया। इसके बाद आत्मकथा के आगामी खंडों की बेताबी से प्रतीक्षा की जाने लगी और उन सभी का ज़ोरदार स्वागत होता रहा। प्रथम खंड ‘‘क्या भूलूँ क्या याद करूँ’’ के बाद ‘‘नीड़ का निर्माण फिर’’, ‘‘बसेरे से दूर’’ और ‘‘‘दशद्वार’ से ‘सोपान’ तक’’ लगभग पंद्रह वर्षों में इसके चार खंड प्रकाशित हुए। बच्चन की यह कृति आत्मकथा साहित्य की चरम परिणति है और इसकी गणना कालजयी रचनाओं में की जाती है।

Specification:

• Publisher : Jaico Publishing House
• By : Robert A. McDermott (Author)
• Cover : Paperback
• Language : English
• Edition : 1972
• Pages : 340 pages
• Weight : 
• Size :20 x 14 x 4 cm
• ISBN-13  978-8172242343
  

Description

New enlarged edition, Sri Ramana Maharshi (1879-1950) was still in his teens when he attained enlightenment through a remarkable experience, as if undergoing death of the physical body, while remaining in full consciousness. He left home for the sacred hill of Arunachala where he taught the purest form of Advaita Vedanta (non-duality) through the simple discipline of self-inquiry. His teaching, his principal instruction to all his devotes was always to meditate on the question "Who am I"?. In this book Arthur Osborne gives an account of the life and teachings of Sri Ramana Maharshi. It has a special relevance to our age with its outlines of a religion based on the Indian scriptures which is essentially spiritual, without ceasing to be rational and ethical.The writings of Sarvepalli Radhakrishnan philosopher and former President of India, constitute one of the best possible introductions to Indian thought and culture. They are the most important body of work in the development of recent Indian and Western studies in comparative philosophy. This volume contains a representative selection of Radhakrishnan' s most significant writings in these area. It explains the aims, key concepts and major predispositions of Radhakrishnan' s thoughts and deals with his interpretation of Indian philosophy, his systematic version of Vedanta, his reinterpretation of Hindu dharma and Yoga and his consistent plea for the universal synthesis 'on the plane of spirit'.

SPECIFICATION:

• Publisher : Christian World Imprints
  
• By : Amit Thomas
  
• Cover : Hardcover
  
• Language : English
  
• Edition : November 1, 2019
  
• Pages : xiv, 166 p.  
  
• Weight : 520 gm.
  
• ISBN-10: 9351481506
  
• ISBN-13 : 978-9351481508

DESCRIPTION:

This book tries to survey the traditional as well as contemporary understanding of theology and brings its relevance for contextual theological developments in Christian theology where the discussion on Neo-Orthodoxy, Existentialism is brought forth. It covers different terminological clarifications and then elaborates on the different streams of Christian theology. Further, it tries to deal with the historical development of Christian theology where the emphasis has been on the early teachers of: faith (Church Fathers), medieval thinking, enlightenment; and 19th century liberal discussions.

About the Author

Rev. Amit Thomas is an ordained minister of Evangelical Church of India. He has been teaching in Allahabad Bible Seminary, Allahabad since 2001 in the Department of Christian Theology as Assistant Professor.

The Bastar tribal man is smoking and the figure reveals a greater degree of refinement and embellishment. He is wearing few ornaments as well and bangles. He is holding a small pot in his left hand. Dhokra form of sculpture is associated with the tribal groups of northern India, including Vindhyas and the Eastern Ghats, Bihar and its surroundings, Orissa, Madhya Pradesh and West Bengal.

SPECIFICATION:

• Publisher : Juggernaut
• By:  Arundhati Roy; John Cusack (Author)
• Binding :Paperback
• Language: Hindi
• Edition :2017
• Pages: 160 pages
• Size : 20 x 14 x 4 cm
  
• ISBN-10: 9386228157
  
• ISBN-13: 9789386228154
  

DESCRIPTION: 

अरुंधति रॉय 2014 की सर्दियों में एडवर्ड स्नोडेन से मिलीं। उनके साथ में थे अभिनेता और लेखक जॉन क्यूज़ेक और डेनियल एल्सबर्ग, जिन्हें 60 के दशक का स्नोडेन कहा जाता है। उनकी बातचीत में शामिल थे हमारे वक्त के सभी बड़े विषय – राज्य की प्रकृति, एक बेमियादी जंग के दौर में खुफिया निगरानी, और देशभक्ति का मतलब। यह गैरमामूली, ताकतवर किताब बेचैन भी करती है और उकसाती भी है।

The inimitable Batik painting has portrayed the beauty of love of tender touch. The artist has made use of the colours and patterns in a most beautiful manner. A sound knowledge of the colour gradations and the artistic way of removing the wax is the key to the beauty of any Batik painting. The method of dewaxing gives a special effect to the Batik painting.

The beautiful Batik painting depicts four colourful elephants with some sharp lines. Batik prints of West Bengal, Orissa and Tamil Nadu are known for their originality, uniqueness and fineness. Batik is the art of creating images on the cotton cloth using wax resist method.

Indians knew the technique of Batik some 2000 years back. Rice starch and wax resists were used for printing. The technique had lost its popularity because of tedious procedures of waxing and dewaxing. It was kept alive as a hobby by the aristocratic ladies and revived in 20th century.

A batik artist needs to have a good sense of colors and patterns. Though the motifs used in batik are simple, knowledge of color gradations and tack to remove wax finely are required.

The beautiful Batik painting depicts the Lord Vishnu, one of the Trinity Gods, and His consort Lakshmi in a most resplendent manner. One of the most powerful Gods in Hinduism, Lord Vishnu is responsible for the preservation of the Universe. Lord Brahma, another Trinity God, is responsible for the creation of the Universe and Lord Shiva, for its destruction and regeneration. In order to salvage the creatures from any impending catastrophe, Lord Vishnu takes birth as human form. There are as many as 10 incarnations of Lord Vishnu. Here Lord Vishnu and His wife are embracing each other yielding a sensual impression. The method of waxing and then dewaxing gives a prolific impression to the painting.

The Batik painting with four elephants moving forward is a piece of beauty and artistic excellence. The elephants have been nicely decorated with carving on their body. The journey of the elephants is a symbolic of how life moves forward, a journey towards perfection. Batik is one of the most popular forms of painting in the country and the method of waxing and dewaxing engenders special beauty on such painting.

Engrossed in thoughts, the beauty of the young lady has been painted using strong colour gradations and strong lines. Batik prints of West Bengal, Orissa and Tamil Nadu are known for their originality, uniqueness and fineness.The body posture of the lady, the curves, dress all have been treated using variegated colours.She is holding a drink of of glass which gives a soft and calm feeling of her personality. The method of dewaxing has also given an added beauty to the vibrant painting.

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Specification

Description

Lord Buddha, who was living a luxurious life when he was young has been painted in this beautiful Batik painting. He was the prince of Kapilabastu and like other princes for him too life was a bed of roses. Here he has been painted with heavy dose of bangles and drapery. The manner the artist has painted the work has made it doubly clear that he has a clear sense of colour gradations and lines. The figure has been depicted in a joyful manner.

The battle of Kurukshetra between the Kauravs and Pandavs is being given a royal and detail treatment in the beautiful Patachitra painting from Orissa. The artists have created magic on tussar silk by using pigment and water colour. The chariots of Lord Krishna, and other heroes are being treated in a colourful manner. The battle was a battle between good and bad and it marks the triumph of good over the bad.

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Bauddha Darshan tatha anya Bharatiya Darshan (Pratham Bhag): Aetihasik Shodhpurna, Pakshapatrahit, Tulnatamak Vivechan