The sacred word OM has been painted in the traditional Batik style. The Hindu sacred word is batiked with wax on cotton cloth . The OM bears great significance for the Hindus. The vibration produced by chanting Om in the physical universe corresponds to the original vibration that first arose at the time of creation. The sound of Om is also called Pranava, meaning that it sustains life and runs through Prana or breath. Om also represents the four states of the Supreme Being. The three sounds in Om (AUM) represent the waking, dream and deep sleep states and the silence, which surrounds Om, represents the "Turiya" state.It is believed that chanting of Om drives away all worldly thoughts and removes distraction and infuses new vigour in the body. The chanting of Om is a powerful tonic. Om makes the mind serene and pointed, and infuses the spiritual qualifications, which ensure self-realization. Use of vibrant colours and strong patterns has given the painting a presentable look.
The beautiful Patachitra painting of Lord Hanuman is given a refine and detail treatment. The great devotee of Lord Ramchandra, the key figure in Hindu epic Ramayana, is shown here carrying Lord Ram and his brother Lakshmana on his arm. A deep sense of devotion is manifest in the painting. Hanuman played a key role in rescuing Seeta, the wife of Lord Ram, who was abducted by Ravana. The ensuing battle between the demon forces and the vanar sena (forces of monkeys) led by Ram constitutes the theme of the epic.
The beautiful Patachitra painting is a revelation of the finery of this Orissa style of painting. The painting depicts two great figures in Hinduism fighting against each other. Lord Ganesha is called Ekadanta because of his one broken tusk. It is said that this tusk was knocked out by Parasurama. There is an anecdote that one day Parasurama arrived to see Siva, and Ganesh would not let him in. When Parasurama tried to get by Ganesh they started fighting and Parasurama broke his tusk. Parvati was about to curse Parasurama, but Brahma stopped her and promised that even though he had only one tusk, that Ganesh would still be worshipped by all men and even the demigods would worship him. The painting is a testimony of the glorious history of Pata style of painting.
The beautiful painting of the Lord Vishnu is given a spectacular and refine treatment in the traditional Pata format. Lord Vishnu is one of the Trinity Gods in Hinduism, the other two being Lord Shiva and Brahma. The Lord is responsible for the preservation of the Universe and from time to time He takes human form (incarnation) to protect His devotees from the impending catastrophe. According to Hindu scripture, Lord Vishnu has ten such incarnations.
Murugan is one of the most popular Hindu deities amongst Tamils of Tamil Nadu state in India, Sri Lanka and in the Tamil diaspora. He is popular throughout India and also abroad. He is known by a number of other names, including Kartikeyan, Kumaran, Shanmukha, Skanda and Subramanian. He is the God of war and the patron deity of the Tamil land. As the late Tamil devotional work - the Tiru-pukazh would have it, "Murugan never hesitates to come to the aid of a devotee when called upon in piety or distress". He is shown here with his vehicle the peacock and is depicted killing the demon Surapadman, who ravaged the earth and tormented its beings. It was realized by the gods that only the son born of Shiva could lead the gods to victory over Tarakasuran, Surapadman and their demon companions.
One of the most popular Gods in the Tamil Land, Murugan is the God of war and the patron deity of the Tamil Land. The God is shown in full combat fatigue along with his vehicle the peacock. With his bow and arrows, the God is all set for the battlefield. It is believed that the God brings something for everybody. His six hands are holding different weapons and his eyes are fixed on the target. The painting is characterized by some beautiful designs and carvings.
In this spectacular Patachitra painting, Lord Shiva and Parvati are sitting face to face. They are wearing some spectacular ornaments. Nandi, Lord Shiva's vehicle, is also sitting nearby. The cosmic couple Lord Shiva, one of the Trinity Gods in Hinduism, and Parvati are given a refine and detail touch with a deep sense of accomplishment. Lord Shiva and Parvati are considered the most ideal couple by Hindus and they are worshiped all over the subcontinent. Patachitra is a popular genre of ethnic painting in Orissa and was born out of the cult of God Jagannath, the presiding deity of Orissa temple. Spectacular pictorial conceptions, characteristic conventions and vibrant color patterns make the Patachitra a unique treasure in the rich coffer of Indian ethnic art. Primarily executed on cloth, using natural colors, these ethnic paintings have charmed admirers across the globe.
Specification
- Product Code :4282
- Material :Green aventurine stone
- Weight: 280 gm
- Size:2"x 1"
Description
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The beautiful image of Lord Shiva and Parvati has been shown in dancing posture. The cosmic couple is shown with ornaments and they show the beauty of life in its best form. The covers of the painting are beautifully painted with some nice floral designs. Shiva and Parvati are considered the perfect couple on Earth and they symbolise love, care and affection.
Nature is at its best here. God's spectacular creation makes the onlooker awe-struck. The beautiful river is flowing down the mountain. Rocks and surroundings are nicely painted in this spectacular silk painting. Such silk paintings are marked by its elegance, softness and a flexibility of style. Silk is used as a medium for portraits and paintings since the matter is very light and soft. Craftsmen use a special process that allows the silk canvas to retain the paint in vibrant detail.
Silk Paintings reached their peak of glory during the Mughal era. Mughal kings patronized arts and literature. The Rajput kingdoms of Rajasthan were the hot spots for these miniature paintings. Rich court life and religious themes are often depicted as a characteristic of this art form. Beautiful ladies often figure prominently in these paintings along with vibrant gemstone coloring. The heavy use of gold leaf appears as another distinguishing characteristic.
The beautiful Patachitra painting of Lord Krishna and Arjuna is given a detail and colourful treatment. Arjuna is painted here bowing down in front of Lord Krishna, who was his charioteer at the battle of Kurukshetra. A deep sense of devotion and affection is manifest in the beautiful painting. Derived from the Sanskrit words patta (a piece of cloth), chitra (painting or picture), Patachitra is a folk art form drawn on a piece of silk, cotton or any other fabric, portraying traditional motifs and imageries of religion and society.
The beautiful Patachitra painting of Lord Vishnu on His vehicle Garuda is given a spectacular treatment. The background of the clouds are also beautifully treated.
There is an interesting story about Garuda’s birth.
According to the epic, when Garuda was first born out of an egg, he appeared as a raging inferno equal to the cosmic conflagration that consumes the world at the end of every age. Frightened, the gods prayed for mercy. Garuda, hearing their plea, reduced himself in size and energy.
Garuda's father was the creator-rishi Kasyapa, mother Vinata, whose sister was Kadru, the mother of serpents. Vinata lost a bet and became enslaved to her sister. Garuda approached the serpents. He was told that they would free his mother if Garuda could bring them the elixir of immortality, also called amrita. The amrita at that time was in the possession of the gods, who guarded it jealously, since it was the source of their immortality. They had ringed the elixir with a massive fire that covered the sky. They had blocked the way to the elixir with a fierce mechanical contraption of sharp rotating blades. And finally, they had stationed two gigantic poisonous snakes next to the elixir as deadly guardians.
Garuda defeated the gods and took the elixir into his mouth. He came toward the eagerly waiting serpents. En route, he encountered Vishnu. Rather than fight, the two exchanged promises. Vishnu promised Garuda the gift of immortality even without drinking from the elixir, and Garuda promised to become Vishnu's mount. At last, Garuda could liberate his mother Vinata.
The Pata painting depicts Lord Krishna overpowering the Kaliya, the serpent. There was a great lake near the river Yamuna. Here resided the black and venomous serpent Kaliya. Due to his poisonous vapors, the surrounding area was so contaminated that no living being would dare venture near the place. One day Krishnas fellow cowherds went near the lake and after drinking water fell sick.
Krishna after learning this said: I shall vanquish this king of serpents and release the inhabitants of the country from their continual dread.
Following a fierce battle, Krishna overpowered the serpents and following the prayers by the wives of the Kaliya, he pardoned Kaliya on the condition that Kaliya would leave the place forever.
The manner in which Krishna subdues Kaliya has a fascinating quality about it. The dance to victory, the effortless rhythm of the Almighty's pace of creation and destruction, the ease, the grace, the sheer play in the manifestations of the Lord's will, to which wind and water provide enchanted accompaniment, are beautifully brought out in the narrative. Indeed, this is the first inkling in textual material of Krishna as natwar (the dancer).
The Lord Krishna in this beautiful Patachitra painting is painted blue that denotes His divine origin. The Lord is overpowering a demon as the cow looks on. His headgear is given a refine treatment. Beautiful tree is marked by nice design. A popular style of painting from Orissa, Patachitra paintings exhibit the use of strong line and brilliant colors. Mythological motifs are brilliantly used in Patachitra genre of painting. This genre of ethnic painting was born out of the cult of God Jagannath, the presiding deity of Orissa temple. Spectacular pictorial conceptions, characteristic conventions and vibrant color patterns make the Patachitra a unique treasure in the rich coffer of Indian ethnic art. Primarily executed on cloth, using natural colors, these ethnic paintings have charmed admirers across the globe.
Lord Ganesha, himself being a God of Learning, is also a devotee of the God Shiva. Here He is worshipping Shivling. The beloved deity is the Lord of knowledge and Wisdom and He is also known as the Remover of Obstacles. The benevolent God is worshipped first among all gods. He is the son of Parvati and Shiva. He is also one of the most generous gods and laddoos are His favourite dessert. Patachitra is a popular genre of painting in Orissa and a number of mythological figures are mainly used with strong colour pattern.
The beautiful Batik painting of the Lord Shiva in His dancing posture epitomizes the rhythmic motion of the universe. The spectacular Batik painting paints the Lord with His eight hands. The Lord is in a dancing mudra and He seems to have lost in deep thought. One of the Trinity Gods in Hinduism, Lord Shiva is responsible for the destruction and regeneration of the Universe. The Lord is wearing some beautiful ornaments and all parts of the figure including the headgear are given a refine and detail treatment.
Description:
The beautiful velvet painting of the Lady holding a lamp is given a refine and spectacular treatment with a rare sense of womanhood and beauty. A traditional Hindu woman, she is wearing saari and a bindi on her forehead makes even more graceful. A woman of substance, she reflects a deeps sense of sensuality and accomplishment. Her sparkling eyes and ornaments make a saga of beauty.
Specification:
- Product Code: 3682
- Material: Velvet
- Size: 26" x 18"
